Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

4

The Wrong Object: The Wrong Object: After the Exhibition

Dave Wayne By

Sign in to view read count
Sometime during the late 1960s, adventurous European rock musicians led by the likes of Gong, Soft Machine, Magma, and Arzachel began incorporating elements of avant-garde jazz, contemporary classical and various ethnic musics into their own original progressive rock music. The result varied somewhat from region to region, but the most important thing was that very little of this hybrid music fit neatly into the existing parameters of fusion music, then known generically as jazz-rock. Sure, there were stacks of analogue keyboards, long virtuosic solos, convoluted and labyrinthine compositions, and numerous appearances by electrified non-rock instruments such as violin, flute, and vibraphone; but the music wasn't a take-off on the ostensibly jazz- based American variant of the sub-genre. Despite their admitted pre- eminence, Weather Report and Mahavishnu references were, in fact, few and far-between.

Despite its niche appeal and chronic commercial non- viability, this sub-sub genre has persisted and even flourished as fans have aged and become ever more ardent music consumers. These days, the branding is so profligate, that one often views claims of avant-prog, Rock-In- Opposition, and Canterbury influences with a jaundiced eye. Belgium's The Wrong Object is, however, very, very much the real deal. After The Exhibition, the band's seventh full-length release, is heady and strong stuff, indeed. Over the group's decade-plus of existence, the two remaining members are drummer Laurent Delchambre and guitarist Michel Delville. Currently a sextet comprising two reed players, keyboards and bass in addition to drums and guitar, The Wrong Object started out as a Frank Zappa tribute band, and subsequently developed strong ties to the UK jazz scene via collaborations with trombonist Annie Whitehead, trumpeter Harry Beckett, and ex-Soft Machine reedman Elton Dean. The band's propensity for working with heavy friends continues on After The Exhibition with Benoit Moerlen, formerly with Gong, playing mallets on six tracks. However, an unheralded guest makes the biggest splash here; vocalist Susan Clynes pours luscious syrupy Northette-inspired gold onto "Glass Cubes."

The majority of the tracks were written by guitarist Michel Delville or keyboardist Antoine Guenet, or both. Their complex, multi-sectioned compositions don't tend to stay in one place too long, yet manage to give the soloists ample space to have their say. "Detox Gruel" starts off the album with measured aggression; its heavy guitar / saxophone leads hearken back to the days when Allan Holdsworth teamed up with Didier Malherbe in Gong. The manic "Spanish Fly" is capped by a madcap clarinet / saxophone duet, while Guenet lights up Delchambre's Moorish-sounding, minor-key "Yantra" with spooky Rhodes solo. "Glass Cubes" takes a completely different turn. Featuring dual vocals by Guenet and Clynes, this is the one track that evokes the Canterbury spirit of groups like National Health and Hatfield and the North most fully. The centerpiece of After The Exhibition is "Jungle Cow," a three-part suite that opens with an extraordinarily cohesive group improvisation which gives way to a hypnotic 5/4 groove. Delville takes an absolutely scorching solo (over an entirely different groove, of course) that breaks down into Pierre Mottet's wild fuzz-wah bass intro to Part 3, which— naturally—mellows out for some inspired saxophone soloing by Marti Melia and Francois Lourtie. "Wrong but Not False" occupies a mellower space, with prominent Rhodes and clarinet and another fine solo from Delville. "Flashlight Into A Black Hole" might be the most hard-rocking piece on the album, with Melia's tenor saxophone riding Delville's wall-of-sound guitar into oblivion. The album closes on a whimsical note with Benoit Moerlen's "Stammtisch." Here, comparisons to Moerlen's former group are no coincidence, though The Wrong Object takes the tune much further "out" than Gong would have.

Though I've dropped a lot of names here, The Wrong Object is a band that's truly come into its own, offering up a solid hour of extraordinary original music. Those who know Delville's work with largely free-improvising groups such as DouBt and Machine Mass Trio will be pleasantly surprised by his playing in a more structured setting.

Track Listing: Detox Gruel; Spanish Fly; Yantra; Frank Nuts; Jungle Cow Part I; Jungle Cow Part II; Jungle Cow Part III; Glass Cubes; Wrong but Not False; Flashlight into Black Hole; Stammtisch.

Personnel: Michel Delville: guitar, Roland GR-09; Antoine Guenet: keyboards, vocals; Marti Melia: bass, tenor saxophone, clarinet; Francois Lourtie: tenor saxophone, alto saxophone, soprano saxophone, voice; Pierre Mottet: bass; Laurent Delchambre: drums, percussion, objects, samples; Benoit Moerlen: marimba, electronic vibraphone (2,3,5-7, 11); Susan Clynes: vocals (8).

Title: The Wrong Object: After the Exhibition | Year Released: 2013 | Record Label: Moonjune Records


Tags

Related Video

comments powered by Disqus

More Articles

Read Strange Days - 50th Anniversary Deluxe Edition Extended Analysis Strange Days - 50th Anniversary Deluxe Edition
by Doug Collette
Published: December 9, 2017
Read Trouble No More - The Bootleg Series Vol. 13 / 1979-1981 Extended Analysis Trouble No More - The Bootleg Series Vol. 13 / 1979-1981
by Doug Collette
Published: November 19, 2017
Read Love, Gloom, Cash, Love Extended Analysis Love, Gloom, Cash, Love
by Patrick Burnette
Published: October 21, 2017
Read Motel Shot: Expanded Edition Extended Analysis Motel Shot: Expanded Edition
by Doug Collette
Published: July 16, 2017
Read Sgt. Pepper’s Lonely Hearts Club Band 50th Anniversary Super Deluxe  Edition Extended Analysis Sgt. Pepper’s Lonely Hearts Club Band 50th...
by Doug Collette
Published: May 27, 2017
Read "Thelonious Monk: Les Liaisons Dangereuses 1960" Extended Analysis Thelonious Monk: Les Liaisons Dangereuses 1960
by Nenad Georgievski
Published: April 9, 2017
Read "Sgt. Pepper’s Lonely Hearts Club Band 50th Anniversary Super Deluxe  Edition" Extended Analysis Sgt. Pepper’s Lonely Hearts Club Band 50th...
by Doug Collette
Published: May 27, 2017
Read "Procol Harum: Novum" Extended Analysis Procol Harum: Novum
by Doug Collette
Published: April 22, 2017
Read "Ella Fitzgerald: 100 Songs For A Centennial" Extended Analysis Ella Fitzgerald: 100 Songs For A Centennial
by Nenad Georgievski
Published: April 29, 2017
Read "Trouble No More - The Bootleg Series Vol. 13 / 1979-1981" Extended Analysis Trouble No More - The Bootleg Series Vol. 13 / 1979-1981
by Doug Collette
Published: November 19, 2017
Read "Strange Days - 50th Anniversary Deluxe Edition" Extended Analysis Strange Days - 50th Anniversary Deluxe Edition
by Doug Collette
Published: December 9, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!