All About Jazz

Home » Articles » Multiple Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


The Unity Sessions / Cuong Vu Trio Meets Pat Metheny

Geno Thackara By

Sign in to view read count
Pat Metheny
The Unity Sessions
Nonesuch Records

What's in a name? First there was the Unity Band in 2012; after several years of collaborations, solo work and small ensembles, the ever-restless Pat Metheny decided it was time for a steady quartet of his own again. The following year it was expanded to a quintet with a dozen more instruments added to the sonic palette, spurring the name switch to Unity Group. Eventually, they topped off a couple years of extensive touring by setting up in a small theater in front of some cameras (if not an audience) to capture how their live set had developed. The Unity Sessions is the soundtrack from the 2015 DVD of the same name, providing a vivid snapshot of the group in excellent form.

It's an uncommon setting but a very effective one. The format allows for the pristine quality of a studio recording (and control of the big complex Orchestrion apparatus) while keeping the fun spontaneous vibe of a live event. The solos aren't as extensive or the energy as high as it probably would have been in front of a crowd, but then it's not fair to judge this recording by that standard anyway. The chemistry is as tight and lively as you'd want from a live-in-studio recording; it's doubtful anyone would have thought twice about it one way or the other if the DVD hadn't come several months before.

Most of the unit's studio release Kin (<—>) (Nonesuch, 2014) is represented here and has audibly matured from its first recording. The band starts with the album's centerpiece pairing of "Adagia" and "Sign of the Season," effortlessly transitioning from quiet intimate intro to Secret Story-scale epic panorama in the first dozen minutes. There are several of the mini-showcase slots you'd see at a live show, such as the mid-set solo guitar medley and a couple quiet duets interspersed between the more extensive band workouts. Not everything needs to be epic either. "Two Folk Songs" (though not sounding very folksy) builds to one of those flying grooves with the whole band wailing at high speed, and does it in a tight five minutes—practically a drive-by blink in Metheny time.

The rest of the set spans the guitarist's whole spectrum, covering the eclectic "global village" tones of the Unity phase and indeed the range of his career. They revisit the expanded 1986 Ornette Coleman collaboration Song X with "Police People," making it feel perfectly at home alongside Unity Band's "Come and See" and the newer Group's "Born," which continues to show itself one of his prettiest meditative pieces. For Metheny it's all part of the same big inclusive picture, and there's no picture he can't paint with the right group to add their own brushstrokes.

Cuong Vu Trio
Cuong Vu Trio Meets Pat Metheny
Nonesuch Records

Cuong Vu is no stranger to painting with sound himself, having added his trumpet to two acclaimed Metheny Group albums in the early noughties. It's only natural that he and his former boss were happy to re-connect for a quick three days in the studio. The result is a noticeably less elaborate affair than the Unity set, though this quartet gets plenty of sounds out of the smaller handful of instruments they use nonetheless. While you can definitely hear the similarities between the two that led to their success as bandmates in the past, it's Vu's experimental sensibility that takes the lead here.

The lineup attempts a sort of entropy in reverse, starting in abstract Song X-ish territory and drifting toward more conventional forms as the disc goes on. The leads occasionally twine processed trumpet with classic Synclavier guitar so that it gets difficult to tell which is which (a familiar game Metheny also enjoyed playing with Lyle Mays' keys now and then). It can be difficult to follow along as well—they don't mind stretching one's patience with ten aimless minutes of meandering in "Tiny Little Pieces" or the slow rhythmic plod of "Let's Get Back"—but they inevitably return to unison lines and changes, and it's clear their trust and synchronicity with each other hasn't faltered.

This recording seems like a breather for this crew as they take a break from meticulous compositions. Light on melody and heavy on textures (and sometimes with heavy textures), this is a session more about coasting and grooving than anything else. Just about any listener could appreciate the upbeat "Tune Blues"; otherwise it's a listen best suited to ears that already enjoy the free and formless. Where it comes to the simple fun of playing around with sounds and tones, this is a group that knows their stuff.

Tracks and Personnel

The Unity Sessions

Tracks: CD1: Adagia; Sign of the Season; This Belongs to You; Roof Dogs; Cherokee; Geneaology; On Day One; Medley. CD2: Come and See; Police People; Two Folk Songs (1st); Born; Kin; Rise Up; Go Get It.

Personnel: Pat Metheny: electric and acoustic guitars, guitar synth, electronics, orchestrionics; Chris Potter: tenor sax, soprano sax, bass clarinet, flute, guitar; Antonio Sanchez: drums and cajon; Ben Williams: acoustic and electric basses; Giulio Carmassi, piano, flugelhorn, whistling, synth, vocals.

Cuong Vu Trio Meets Pat Metheny

Tracks: Acid Kiss; Not Crazy (Just Giddy Upping); Seeds of Doubt; Tiny Little Pieces; Telescope; Let's Get Back; Tune Blues.

Personnel: Cuong Vu: trumpet; Stomu Takeishi: bass; Ted Poor: drums; Pat Metheny: guitar.


comments powered by Disqus

Related Articles

Read Iain Matthews: Redefining Eclectic Multiple Reviews
Iain Matthews: Redefining Eclectic
by Doug Collette
Published: March 24, 2018
Read Minimalist Guitar: Clouds and Dreams Multiple Reviews
Minimalist Guitar: Clouds and Dreams
by Geno Thackara
Published: March 23, 2018
Read A Selection of Jazz on Sonorama Multiple Reviews
A Selection of Jazz on Sonorama
by Jakob Baekgaard
Published: March 18, 2018
Read The Art of the Duo: Keys and Reeds Multiple Reviews
The Art of the Duo: Keys and Reeds
by Geno Thackara
Published: March 11, 2018
Read The Legacy of Big Star: Alex Chilton, Chris Bell and Luther Russell Multiple Reviews
The Legacy of Big Star: Alex Chilton, Chris Bell and Luther...
by Doug Collette
Published: March 4, 2018
Read Jon Catler: Sacred and Profane Multiple Reviews
Jon Catler: Sacred and Profane
by Geno Thackara
Published: March 3, 2018
Read "Margrete Grarup: Denmark's jazz secret is out" Multiple Reviews Margrete Grarup: Denmark's jazz secret is out
by Chris Mosey
Published: May 28, 2017
Read "Jazz from the US Virgin Islands' new breed" Multiple Reviews Jazz from the US Virgin Islands' new breed
by Nigel Campbell
Published: November 4, 2017
Read "Another Timbre’s Canadian Composers Series" Multiple Reviews Another Timbre’s Canadian Composers Series
by John Eyles
Published: April 22, 2017
Read "Iain Matthews: Redefining Eclectic" Multiple Reviews Iain Matthews: Redefining Eclectic
by Doug Collette
Published: March 24, 2018
Read "Sven-Åke Johansson's Blue For A Moment" Multiple Reviews Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Published: August 2, 2017
Read "Of Stories, Songs, and Self: Fred Hersch's Good Things Happen Slowly & Open Book" Multiple Reviews Of Stories, Songs, and Self: Fred Hersch's Good Things...
by Dan Bilawsky
Published: August 21, 2017