All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

7

Maria Schneider Orchestra: The Thompson Fields

Dan McClenaghan By

Sign in to view read count
It's always interesting to discuss the jazz greats of yesteryear and swap thoughts on how the new generation of artists stacks up against the likes of John Coltrane, Miles Davis, Charlie Parker, Duke Ellington. And it's quite possible that the consensus opinion there would be that virtually no one working today can compare favorably to those iconic figures.

But in a much different time, when the artistic offerings competing for our entertainment dollars and attention are vast compared to the days of five television channels and a handful of records labels, one artist has risen—in terms of talent and the beauty and perfection of her recent output—to an Ellington-ian level: Composer/arranger Maria Schneider.

Schneider's instrument is her eighteen piece orchestra. Concert in the Garden (ArtistShare, 2004) was an unexpected masterpiece. Sky Blue (ArtistShare, 2007) took it deeper, and now, The Thompson Fields continues in the same gorgeous and expansive mode, making that old argument that jazz is, indeed, America's classical music.

The Thompson Fields has every bit of the depth and unalloyed loveliness of her earlier work, but it seems more daring. The solos—Schneider, like Ellington, is a writer of solo spots for specific band members—are bolder, wilder, from Scott Robinson's haunting and mellifluous alto clarinet turn of "Walking By Flashlight," to saxophonist Donny McCaslin's stinging, searing tenor sax on "Arbiters of Evolution," to pianist Frank Kimbrough's delicate and pastoral beauty interacting with Lage Lund's folkish guitar on the title tune.

Schneider has a genius for examining and revealing the profound in small things: "Walking By Flashlight," from the poem "November 18" by Ted Kooser, celebrates a solo pre-dawn stroll in the open fields by a man with "the moon on a leash." "The Monarch and the Milkweed" explores the beauty of the butterfly and its relationship with its simple sustenance, bringing to mind, in concept, Duke Ellington's small gem, "Sunset and the Mocking Bird" that leads into "Lightning Bugs and Frogs," from his "The Queen's Suite," the opening section of The Ellington Suites (Pablo, 1976). "The Thompson Fields" (the tune) is a nostalgic rumination of a family farm neighboring Schneider's own childhood home in southwest Minnesota.

Throughout, Schneider's orchestra soars, it wafts gentle breezes fragrant with smells of the plains, it blows in controlled gales, and it paints rainbows—sometimes in subtle pastels, sometimes in bold primary colors—that brighten the backdrops some of the most inspired soloing imaginable. A magnificent album!

Track Listing: Walking By Flashlight; The Monarch And The Milkweed; Arbiters Of Evolution; The Thompson Fields; Home; Nimbus; A Potter's Song; Lembranca.

Personnel: Steve Wilson: alto saxophone, soprano saxophone, clarinet, flute, alto flute; Dave Pietro: alto saxophone, soprano saxophone, clarinet, flute, alto flute, bass flute, piccolo; Rich Perry: tenor saxophone; Donny McCaslin: tenor saxophone, clarinet, flute; Scott Robinson: baritone saxophone, bass clarinet, alto clarinet, clarinet; Tony Kadleck: trumpet, fluegelhorn; Greg Gisbert: trumpet, fluegelhorn; Augie Haas: trumpet, fluegelhorn; Mike Rodriguez: trumpet, fluegelhorn; Keith O'Quinn,: trombone; Ryan Keberle: trombone; Marshall Gilkes: trombone; George Flynn: bass trombone; Gary Versace: accordion; Lage Lund: guitar; Frank Kimbrough: piano; Rogerio Boccato: percussion (8); Clarence Penn: drums; Jay Anderson: bass.

Title: The Thompson Fields | Year Released: 2015 | Record Label: ArtistShare

Tags

comments powered by Disqus

Related Articles

Read New Hope CD/LP/Track Review
New Hope
by Jack Bowers
Published: September 23, 2018
Read The Nobuki Takamen Trio CD/LP/Track Review
The Nobuki Takamen Trio
by Mark Sullivan
Published: September 23, 2018
Read Light Of Love CD/LP/Track Review
Light Of Love
by Dan Bilawsky
Published: September 23, 2018
Read Heaven Steps To Seven CD/LP/Track Review
Heaven Steps To Seven
by Roger Farbey
Published: September 23, 2018
Read In The Blue Light CD/LP/Track Review
In The Blue Light
by Mike Jurkovic
Published: September 23, 2018
Read Dreams And Other Stories CD/LP/Track Review
Dreams And Other Stories
by Dan McClenaghan
Published: September 22, 2018
Read "Lala Belu" CD/LP/Track Review Lala Belu
by Chris May
Published: March 23, 2018
Read "Takunde" CD/LP/Track Review Takunde
by Chris Mosey
Published: October 8, 2017
Read "Jazz Just Wants To Have Fun" CD/LP/Track Review Jazz Just Wants To Have Fun
by Bruce Lindsay
Published: July 23, 2018
Read "Don't Look Down" CD/LP/Track Review Don't Look Down
by Paul Rauch
Published: March 1, 2018
Read "Drone Priest" CD/LP/Track Review Drone Priest
by Glenn Astarita
Published: June 13, 2018
Read "Coast to Crossroads" CD/LP/Track Review Coast to Crossroads
by Mark Sullivan
Published: August 13, 2018