Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
358

Branford Marsalis: The Steep Anthology

Jim Santella By

Sign in to view read count
Branford Marsalis: The Steep Anthology A fierce fighter as well as a gentle balladeer, Branford Marsalis makes every note count. He gets the meaning across naturally without unneeded repetition and without unnecessary embellishment. A true entertainer and a gifted artist, he communicates with his audience easily. Thus, Columbia had ample worthwhile examples to choose from for this anthology.

With his father at the piano, the saxophonist interprets “Maria” with passion and understanding. His control of the soprano instrument ranks right up there. Whether following in Sidney Bechet’s footsteps or emulating an operatic voice, Marsalis makes the instrument work as an extension of his physical presence. Monk provides inspiration for Marsalis’ tenor as he soars through “Evidence” with Kenny Kirkland at the piano, Robert Hurst on bass, and Jeff Watts on drums. The quartet pours it on. From a live session at the Village Vanguard, this piece wears emotion on its shirtsleeves. Marsalis is in his groove.

Good training helps. The Marsalis background is unique. But it’s Branford’s heart that wins out on these examples from his jazz career. His original “Spartacus” soars on a suite-like journey through distant lands with a cool outlook. His “No Backstage Pass,” from his debut album, takes the tenor on a similar trip. This one, without piano, draws its inspiration from Bird and Diz and Trane. Ron Carter walks the bass, as Marvin “Smitty” Smith rides the cymbals and snare. Marsalis puts what he learned on the bandstand with Art Blakey to good use.

With Wynton on trumpet, Branford converses through his original “Cain & Abel” in an up-tempo, New Orleans swing setting. Hurst and Watts contribute Crescent City shimmers, as the two Marsalis brothers work out their natural experience comfortably. Thinking alike, they provide a textbook solution.

At times moody and dark, at times traditional and light, Marsalis provides us with an eclectic program that buoys our spirits.


Track Listing: Doctone; Maria; Royal Garden Blues; Evidence; Cain & Abel; Spartacus; No Backstage Pass; Sidney in Da Haus; The Dark Keys; Three Little Words.

Personnel: Branford Marsalis- soprano saxophone, tenor saxophone; Wynton Marsalis- trumpet; David Sagher- trombone; Wessel Anderson- alto saxophone; Ellis Marsalis, Larry Willis, Kenny Kirkland- piano; Ron Carter, Eric Revis, Robert Hurst, Reginald Veal, Milt Hinton- bass; Al Foster, Jeff

Year Released: 2004 | Record Label: Columbia Records | Style: Straight-ahead/Mainstream


Shop

CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Live Reviews
Read more articles
Upward Spiral
Upward Spiral
Okeh
2016
buy
A Love Supreme - Live in Amsterdam
A Love Supreme - Live...
Okeh
2015
buy
In My Solitude - Live at Grace Cathedral
In My Solitude - Live...
Okeh
2015
buy
Four MFs Playin' Tunes
Four MFs Playin' Tunes
Marsalis Music
2012
buy
Songs Of Mirth And Melancholy
Songs Of Mirth And...
Marsalis Music
2011
buy
Metamorphosen
Metamorphosen
Marsalis Music
2009
buy
Miles Davis Miles Davis
trumpet
John Coltrane John Coltrane
saxophone
Wynton Marsalis Wynton Marsalis
trumpet
Sonny Rollins Sonny Rollins
saxophone
Wayne Shorter Wayne Shorter
saxophone
Michael Brecker Michael Brecker
sax, tenor
Art Blakey Art Blakey
drums
Chris Potter Chris Potter
reeds
Dexter Gordon Dexter Gordon
sax, tenor
Joshua Redman Joshua Redman
saxophone

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.