177

Madeline Eastman: The Speed of Life

Dan McClenaghan By

Sign in to view read count
Madeline Eastman: The Speed of Life Have you ever been in a club, or sat listening to a live recording, when a tenor saxophonist blows a solo in the middle of a standard, and it stays pretty much faithful to the theme for a bit, then stretches out into some unexpected – beautifully so – variations of theme, while still hanging onto it? A small, gorgeous musical surprise that makes someone in the audience moan: "Oh!" And a beat latter he sighs: "yeah..."

I found myself doing this with Madeline Eastman's The Speed of Life, at least a couple of times per tune. While a tenor player does it with notes, Madeline Eastman does it with syllables strung together into distinctive phrases. No tenor here; it's the vocalist who's eliciting these responses, with a distinctive and personal style of phrasing and intonation on a set of mostly standards – and, wisely, not the ones you hear every day.

I'm a believer – to an extent – of first impressions, and Eastman's disc, on an intitial listen, made me me think of Sinatra, not because she's covering a few of the songs that Old Blue Eyes preferred. Or because she sounds like him. She doesn't. But man, has she developed a personal and very engaging style of phrasing a lyric, matched with a delivery that is seemingly effortless. A palpable self-confidence, a Sinatra-esue aplomb. I doubt she wears a fedora tilted at a rakish angle, but that's the attitude that comes across. Sometimes she whispers, or purrs, or chats confidentially, and sometimes she just belts it out. Forthrightness – another Sinatra attribute – seems to be her stock in trade.

The Speed of Life showcases Eastman's vocal talent in front of a superb quartet (and sometimes quintet, with an additional percussionist) anchored by bassist Rufus Reid's big, round, assertive sound. He seems a perfect and stolid musical soulmate for Eastman. Pianist Randy Porter uses a less-is-more approach, leaving astutely placed silences for Eastman to fill.

Eastman has developed quite an original sound with a great vocal range. Mix up Carmen McRae's chops (and a touch of Carmen's attitude) and some Billie Holiday with a dash or two of Ella (though her scatting is not Ella-like at all). Six of the twelve selections on the disc are Richard Rogers tunes, including an almost hip-hop version of "Do I Hear a Waltz" which features Reid's rubbery bass lines puntuated by Akira Tana's snappy rat-ta-tat drums, sliced through with Mike Olmos' muted trumpet work – showing those hip-hop guys how it should be done. The rather subtle Rodgers/Hammerstein gem "We Kiss in a Shadow" starts out a wistful and clandestine mood that gradually swells to a bold proclamation of forbidden love.

It's a crowded field, but this is one of the finest lady vocalist discs of the year.

Visit Madeline Eastman on the web at www.madelineeastman.com .

Track Listing: Alone Together, Someday We'll All Be Free, Do I Hear a Waltz, Up on the Roof, There's a Small Hotel, We Kiss in a Shadow, Dancing on the Ceiling, Wait Till You See Her, If I Should Lose You, Get Happy, Jogral, Where or When

Personnel: Madeline Eastman--vocals; Randy Porter--piano; Rufua Reid--bass; Akira Tana--drums; Mike Olmos--drums; with Michael Spiro--percussion

Year Released: 2003 | Record Label: Mad-Kat | Style: Vocal


Shop

More Articles

Read Disappeared Behind the Sun CD/LP/Track Review Disappeared Behind the Sun
by Karl Ackermann
Published: March 29, 2017
Read Innate CD/LP/Track Review Innate
by Bruce Lindsay
Published: March 29, 2017
Read The Seasons CD/LP/Track Review The Seasons
by Edward Blanco
Published: March 29, 2017
Read Planets + Persona CD/LP/Track Review Planets + Persona
by Glenn Astarita
Published: March 29, 2017
Read avantNOIR CD/LP/Track Review avantNOIR
by Nicola Negri
Published: March 29, 2017
Read Peace and Love: A Tribute to Will Connell CD/LP/Track Review Peace and Love: A Tribute to Will Connell
by Troy Dostert
Published: March 28, 2017
Read "Moons" CD/LP/Track Review Moons
by Dan McClenaghan
Published: May 16, 2016
Read "Zentuary" CD/LP/Track Review Zentuary
by John Kelman
Published: December 25, 2016
Read "Nine Dances Of Patrick O’Gonogon" CD/LP/Track Review Nine Dances Of Patrick O’Gonogon
by Duncan Heining
Published: November 25, 2016
Read "Molto Bene" CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read "Sunshine Seas" CD/LP/Track Review Sunshine Seas
by Mark Corroto
Published: April 22, 2016
Read "Momentum" CD/LP/Track Review Momentum
by Franz A. Matzner
Published: September 22, 2016

Post a comment

comments powered by Disqus

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!