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On The Special, San Francisco Bay area's Mitch Marcus Quintettwo saxophones with a high octane, guitar-driven rhythm sectiongo with a fiery gusto for a post apocalyptic jazz mood, sounding like a bunch of young musical toughs surviving the hard way in a not-too-distant dystopian world, hard-asses with instruments stalking a dark, Clockwork Orange alley.
For all the chip-on-the-shoulder moodthe searing guitar and booming bassthere's also an awful lot of finesse in this mix, the way Sylvain Carton's sizzling alto sax solo wanes into a danceable guitar trio groove on "Inditranego," with the two horns haunting things in the background, or the edgy yet refined guitar/bass/drum dynamic on "G.C." with it's piquant, tight single note attack evolving into a searing symphony that gives way to a beefy Dewey Redman-like sax rant. Though it may be misleading to single out interludes within a single song, the tunesextended compositions, all in the ten minute plus rangemorph from hypnotic trance-like interludes, James Brown and the Famous Flames rip-it-up grooves, to small nuanced percussion modes behind a fat-note bass solo interjected with subtle, sharp-edged guitar comping.
Forward momentum of the supremely confident type is a near constant, with "Dave's Castle" offering some balladic repose. And man, that bassistGeorge Ban-Weiss! If a good, solid bassist is a band's rock, then Ban-Weiss is a boulder, with a big, rich, booming sound that gives the group dynamic an implacably dark and muscular dynamic.
Five of the seven tunes here are from saxophonist/leader Mitch Marcus's pen, with one from saxophonist Sylvain Carton and another from drummer Ches Smith.
On The Special, The Mitch Marcus Quintet takes the typical two horn and a rhythm section jazz mode into unmistakably modern territory. Excellent!
Track Listing: Paisano; Last Mourning; Inditrianego; G.C.; Dave's Castle; Not Then, But Now; The Joey Rubber Special.
Personnel: Mitch Marcus: tenor saxophone; Sylvain Carton: alto and tenor saxophone; Ches Smith: drums; George Ban-Weiss: bass; Michael Abraham: guitar. Special guest: Erik Jekabson: flugelhorn(5).
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.