The Old Hat Jazz Band is a London-based group of young musicians that made its first appearance on record with its self-titled and self-produced four-track EP in 2015. The debut release established the band's musical prowess as well as its genuine feel for early jazz. The Sparrow proves that the band has strength-in-depth, as it swings and sways through its first full-length album of variedand hugely enjoyablemoods.
The Sparrow is a collection of original tunes by individual band members, appearing here for the first time with the exception of drummer/leader Elizabeth Exell's "Grandma Iris" and saxophonist William Scott's "Ledra Street Stomp," which are both billed as "bonus tracks" and appeared on the band's debut release. The band refers to the album as "Our interpretation of early jazz." It's a valid description of what's on offerthe spirit and swing of the music's early decades is right at the heart of these tunes.
There are plenty of highlights worth notingLouis Thomas' arco bass solo on Scott's "Feverish Blues," Andrew Oliver's sparkling if brief piano intro to Thomas' "The Sparrow," the jaunty rhythm of Oliver's "Biguine [sic] Du Vieux Chapeau," and the Ellington-esque grace of Exell's "Eternal Sunshine." But above all, The Sparrow is a collective success, a strong set of compositions allied to excellent performances. Thomas' mournful "Blue Town," Scott's fast-tempo and upbeat "Balance Blues," Exell's smooth and sophisticated "Cable Street" and Oliver's irresistibly catchy "Sancy Strut" show the band's range as it moves from slow ballads to faster numbers with the emphasis firmly on dance. If at times it feels like the joy has been lost from jazz, The Sparrow proves that it's still there to be found.
Track Listing: The Sparrow; Passion Wings; Biguine Du Vieux Chapeau; Treasure; Blue Town; Balance Blues; Cable Street; Boatyard Blues; Feverish Blues; Sancy Strut; Eternal Sunshine; Grandma Iris; Ledra Street Stomp.
Personnel: Mike Soper: trumpet; Will Scott: saxophones, clarinet; Ewan Bleach: baritone saxophone; Simon Marsh: alto saxophone; Andrew Oliver: piano; James Kitchman: guitar; Louis Thomas: double bass; Elizabeth Exell: drums; Nick Taylor: cowbell; Joe Webb: piano (2, 4, 5, 7, 12, 13).
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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