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New York-based guitarist Jonathan Kreisberg provides a lesson or two here, on his second date for Mel Bay Records. It's not all about chops or technique. He adds credence to that notion via thoughtful compositions and small ensemble-led arrangements that communicate his penchant for fusing power-packed dynamics with memorable melodies.
Kreisberg is well-equipped in the technical domain. But it's more about quality and substance that underscores this largely exhilarating effort. With everyone's favorite session keyboardist Gary Versace manning the acoustic piano and an ace support system in place, Kreisberg's resonating medium-toned jazz licks form a multi-directional perspective. He blazes forth with lyrically-rich single note flurries, but tones it down in spots, where prismatic voicings come to fruition amid his complex unison choruses with Versace and saxophonist Will Vinson.
The musicians often engage in linear patterns, often designed upon swing and bop. Yet there's a buoyant undertow that supplants the guitarist's compositional realm, also including two shrewdly rearranged standards. At various times, the ensemble will shift the groove aspect into a sprightly Latin motif. And when Kreisberg cranks up the volume control, the band generally segues into thrusting rhythmic metrics and climactic opuses.
On the classic "Stella By Starlight, the ensemble kicks off a simmering spin on an oldie but goodie with harmonious lines amid Kreisberg's mode of attack, which is akin to projectiles rapidly spewing into the cosmos. Contrasts abound during "Elena, which is a low-key ballad that projects comfort and warmth. Kreisberg's already spiraling presence within modern-jazz circles should benefit from a rocketing boost with the advent of this top-flight effort.
Track Listing: Altered Ego; Elena; Funeral For The Ants; Kiitos; Stella By Starlight; Strange Resolution; The Best Thing For You; The South Of Everywhere.
Personnel: Jonathan Kreisberg: guitar; Matt Penman: bass; Mark Ferber: drums; Gary Versace: piano; Will Vinson: alto sax.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.