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The Seeds of Analog Rebellion is the outstanding new CD by Kakalla, a Massachusetts-based quartet that successfully blends jazz and electronics. And not only: Kakalla's influences include traditional and modern Bulgarian music, Greek rembetika, Albanian folk music, and rock n' roll. Kakalla incorporates these apparently disparate genres into music that's thoroughly original and genuinely exciting.
A good example of how Kakalla seamlessly combines its influences is "Maleficient Oblations to a God of Benevolence (composer Thomson Kneeland's gift with song titles rivals Mingus'). The song combines hard bop energy with Balkan rhythms and a bass solo reminiscent of chamber music. There's also the excellent "The Ghosts of Dirty Laundry, which interweaves a languorous trumpet, a funky guitar riff, and electronic squigglings.
It would be a mistake, however, to view Kakalla's music as an intellectual exercise because their songs also possess great emotional depth. "From These Hands, Sadness Flows is an open-hearted meditation, with beautiful trumpet work by Jerry Sabatini. Another gem is the haunting ballad "The Sea, The Bells, where Sabatini's trumpet is majestic and dignified, supported by a delicate shimmer of electronics that mimics the lapping of waves.
Kakalla's magic comes in part from plain old hard work. The groupbassist and leader Thomson Kneeland, drummer and percussionist Mike Connors, trumpeter Jerry Sabatini, and Nate Radley on guitar and electronicsperformed weekly at a Massachusetts club for four and a half years, giving them ample opportunity to work on the subtleties of their music and develop a group dynamic. The Seeds of Analog Rebellion is the fruit of their labors and it's a must for listeners seeking out the frontiers of jazz.
Track Listing: Sir Charlesís Transmogrification; The Ghosts of Dirty Laundry; Caustic Raptures of the Cloven Hoof; The Sea, The Bells; The Refraction of Helios; Maleficent Oblations to a God of Benevolence; The Death of Sysyphus; The Grand Inquisitor; From These Hands, Sadness Flows; The Farthest Shore
Personnel: Thomson Kneeland: (acoustic bass, electronics); Mike Connors: (drums, percussion); Jerry Sabatini: (trumpet (except 7)); Nate Radley: (guitar, electronics (except 6)); Jason Hunter: (tenor sax on 2)
Year Released: 2004
| Record Label: Weltschmerz Records
| Style: Modern Jazz
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.