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The Round comes to life on a swaying melody, with the leader's engaging composition "Floating." Alto saxophonist Alexander McCabe's blows in with an Art Pepper-like intensity inside the tune's drifitng ambiance, an atmosphere that he and the band achieve with a seeming ease.
McCabe studied with George Coleman, an undersung Miles Davis sideman during the very early sixtiesan undersung period in Davis's ever-evolving sound. Altoist McCabe seems to have absorbed some of Coleman's subtle, sneak-up-on-you eloquence, and the master's storytelling gift that keeps you riveted and coming back for multiple listens.
McCabe penned five of the eight tunes on this strong straight-ahead set; pianist/accordionist Joe Barbato wrote two more, and drummer Steve Johns composed another. Of special note is Joe Barbato's accordion work. Sax and accordion are tangy and sweet, two instruments that seem to be made to acccompany each other. The title tune brings a traditional Irish feeling to the set, a high-energy, propulsive pub crawler, evoking images of low ceilings and gleaming taps, froth-topped pints of Guinness on the bar, and musicians huddled in a corner, wailing. Also, Barbato adds some squeezebox ambiance to Steve Johns' "A Cry From a Rain Forest" and the closing "Salvo."
The Round announces a first-rate jazz talent in alto saxophonist/composer Alexander McCabe.
Track Listing: Floating; Taylor Made; The Round; Vilage Walk; Jugo; Yours; A Cry From the Rain Forest;
Personnel: Alexander McCabe: alto saxophone; Joe Barbato: piano and accordion; Ugonna Okegwo:
bass; Steve Johns: drums.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.