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King Tubby: The Roots of Dub/Dub from the Roots

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King Tubby: The Roots of Dub/Dub from the Roots If you want to know where hip-hop came from, you can't ignore dub. If you want to check out early rap, you better be aware of toasting. All of those genres are products of the ghetto, inseparably tagged to the African diaspora. (Like most inventions of American popular music, as this blues/jazz/funk/hip-hop lover can readily attest.)

If you want to properly dig this music, go for the roots. A large number of those tentacles lie in the largest English-speaking island in the Caribbean, the celebrated home of the fruit called ackee, the world's epicenter of ganja (no excuses, Morocco), the source of Appleton Estate Rum (established 1655). Funny enough, King Tubby (né Osbourne Ruddock) was wearing some downright silly crowns back in 1974 (a Burger King indeed, if you look closely). I guess he hadn't yet established his reputation, which at this point is fundamental, monumental, and utterly essential. Those are the straight-up facts, and I dare you to disagree.

So dig back into the roots, before the Aggrovators collection Foundation of Dub, another '70s Bunny Lee production. Dub was created by subtracting vocals from popular reggae mixes and tweaking all the other instruments in the studio with little black boxes. Dubs started out as the "B" sides of singles.

King Tubby was the Dub Master, the Dub Organizer, the Dub Teacher, and the King. Personally tweaked tools, canny intuition, and divine inspiration all seem to come into play with his music, which is distinct from all the rest because of the utterly forward position of the bass and drums in the mix. You play dub, you play it loud, you want your chest to resonate with the music... it's a no-duh. Who knows how he hooked it all together in the studio, but maybe that's a secret better left untold.

When you take off on The Roots of Dub, you float gently along on reverberant waves of guitar, organ, and bass; reverb, delay, and echo always. All that sonic manipulation sounds restless and detailed, despite its utterly relaxed facade. The three-minute tunes ("compositions") might not be the most interesting at times—it's pop music, you have to remember—but there's no denying that King Tubby took each part of his starting material and melded them all into a dark, distorted shell of a song. Every time, always relying on texture, turning the purpose of the music into re-inventing the music.

That's King Tubby's story. If you already know him, you'll drown in ecstasy at this reissue of his first two records. (Please excuse the well-deserved hyperbole. Again, I beg you to disagree.) If you don't already know him, well, check The Roots out.

This music is deep to the core. Its kind of heavy meditation comes from deep Africa, like all the music of the diaspora, including flavors from closer to home. Fancy the two coming together to give birth to a new American music. Hip-hoppers everywhere, bow deeply and exhale.

Visit Moll-Selekta on the web.

Track Listing: Disc 1: 1 - Natty Dub 2 - Dub Magnificent 3 - A First Class Dub 4 - The Stepping Dub 5 - Rude Boy Dub 6 - A Closer Dub 7 - Roots Of Dub 8 - Dub You Can Feel 9 - Loving Dub 10 - The Immortal Dub 11 - Dread Locks Dub 12 - Rocking Dub
Disc 2: 1 - Dub From The Roots 2 - Iyahta 3 - Mine Field 4 - Hijack The Barber 5 - African Roots 6 - Double Cross 7 - East Of (Arrows HiFi) 8 - Invasion 9 - Dub Of A Woman 10 - Dub On My Mind 11 - Stealing 12 - Dub Experience 13 - Declaration Of Dub 14 - ATruthful Dub

Personnel: King Tubby with the Aggrovators plus. Mixed by King Tubby; Produced by Bunny Lee.

Year Released: 2003 | Record Label: Moll-Selekta | Style: Beyond Jazz


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