165

John Berndt: The Private Language Problem

Mark Corroto By

Sign in to view read count
John Berndt: The Private Language Problem Has anyone ever suggested that an activity in which you are participating is an attempt to "reinvent the wheel"? Listening to the experimental instruments and electro-acoustic manipulations of sound artist John Berndt leads to the conclusion that he has it in mind to scrap music as you know it, for an entirely new world of sound.

Berndt applies his trade to the intersection of the paths of art and sound by creating new instruments and constructing sound art. After an inspired meeting with free-thinking saxophonist Jack Wright, he has pursued similar spontaneous improvisations. These recordings, made over a period of seven years, are explained to be "pre-improvisation." They do not, however, lack the imagination that improvised music provides.

The nearly 14-minute track "Dry" is from a daylong installation at the High Zero Festival. The sounds are the sampled frequencies of a recording from a fire. The decomposed tones, when explained, are recognizable only in their intensity. This sounds like a highly evolved version of a GX Jupiter-Larsen/The Haters recording of a house fire. On other tracks he utilizes percussive elements ("Grace") and keyboard feedback ("Sound of Madness").

As the tracks progress, his later work is marked by more complexity and texture. For instance, he revisits the percussive aspect on "Dragon Paths," playing a stainless steel dome by rolling spheres that contain bells. The meditative effect is evident, as on the electronically processed guitar on "Older Now," where the sounds approximate a slide guitar dream sequence. He dabbles in waves of minimalist sound on "For Lois Vierk" and crazy cartoon laboratory bubbling made from a synthesizer that interfaces with flesh! Yes Sherman, Mr. Peabody has set the Wayback Machine to the dawn of life on this planet. This won't hurt a bit.


Track Listing: Grace; Dry; Enough Pain; Sound Of Madness; For Lois Vierk; Evolutionary Biology Determining The Possibility of its Own Conceptualization; Dragon Paths; Older Now.

Personnel: John Berndt: production.

Year Released: 2008 | Style: Beyond Jazz


Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Shipwreck 4" CD/LP/Track Review Shipwreck 4
by John Sharpe
Published: August 16, 2016
Read "Layers" CD/LP/Track Review Layers
by Mark Sullivan
Published: November 1, 2016
Read "Life Compass On!" CD/LP/Track Review Life Compass On!
by C. Michael Bailey
Published: February 5, 2017
Read "Roma-Rio" CD/LP/Track Review Roma-Rio
by Tyran Grillo
Published: May 22, 2016
Read "Purple Patio" CD/LP/Track Review Purple Patio
by John Sharpe
Published: October 1, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!