Joanna Weinberg: The Piano Diaries

C. Michael Bailey By

Sign in to view read count
Joanna Weinberg: The Piano Diaries Joanna Weinberg's The Piano Diaries is not exactly jazz, but it is also not exactly not jazz. Intended for the small stage—appropriate, given her work in several musicals and one-woman shows—the singer/composer's music lives in that overlap between cabaret and jazz. Relocating from South Africa to Sydney, Australia in 1997, the London-born Weinberg is a true cosmopolitan, despite still sounding curiously homespun. All of this makes for an interesting and heady mix of musical and lyrical creativity.

The Piano Diaries' music and instrumentation take a backseat to Weinberg's clever and intelligent lyrics by necessity, but the music remains appropriate. Rafael Nazario's Beatle-esque piano runs over the bouncy melody of "Benjamin and Penelop," while saxophonist Mark Ginsburg's soprano suggests a cross between Fiddler on the Roof with Blade Runner on the Eastern European-flavored "Winds of Fear." Weinberg's accompanists are just assertive enough to give these songs a hooked edge ready to implant themselves into an internal iPod for days after hearing.

But again, it is Weinberg's lyrics that are queen here, ruling the funny bone benevolently. Consistently infusing her lyrics with whimsy and fun, there's the goofy/sexy stance of "Innocence":

So come to me darling
with your pale wounded feet
we'll get out of the spotlights
and we'll make love in the middle of George Street.

Weinberg creates a similar plight on "Benjamin and Penelope":

Benjamin and Penelope
played in the nude
and covered the music with food
and got in the mood.

She weaves pure poetry in "Witness" with:

You walk a mile, in broken shoes

to meet a man, who has forgotten

the pavement cracks, the weeds begin

and I am there to tend your garden.

That is smacking good writing, whatever the meaning.

Weinberg's music will not be mistaken for Kurt Weill or Bertoldt Brecht, and Weinberg is neither Marlene Dietrich nor Ute Lemper. She is more effervescent and bright than these dower Germans, whose charm emanated from the black comedy of Wiemar Berlin song houses. Weinberg's is more the cabaret of the 21st Century: fairly well-scrubbed and simple—honesty with humor.

Track Listing: Freckled Angels; Innocence; Daughters of the Empire; The Artists are Leaving; Benjamin and Penelope; The Winds of Fear; Wide Open Eyes; Beautiful Old Man; Witness; Mama Buy Your Baby a Piano; Trophy Wife; The Piano at the Cabaret.

Personnel: Joanna Weinberg: vocals; Rafael Nazario: keyboards; Kate Adams: cello; Mark Ginsburg: soprano and tenor saxophones, flute; Martijn Hadders: guitar; Jonathan Zwartz: bass; Simon Fishburn: drums; Blair Greenberg: percussion.

Year Released: 2012 | Record Label: Self Produced

Related Video


More Articles

Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read Live at PafA CD/LP/Track Review Live at PafA
by Matthew Aquiline
Published: February 21, 2017
Read Ocean of Storms CD/LP/Track Review Ocean of Storms
by Troy Dostert
Published: February 21, 2017
Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read "Real Talk" CD/LP/Track Review Real Talk
by Mark Sullivan
Published: May 20, 2016
Read "Vars & Kaper:Deconstruction" CD/LP/Track Review Vars & Kaper:Deconstruction
by Ian Patterson
Published: December 29, 2016
Read "Pássaros: The Foundation of the Island" CD/LP/Track Review Pássaros: The Foundation of the Island
by Jakob Baekgaard
Published: July 6, 2016
Read "The Outlier" CD/LP/Track Review The Outlier
by Budd Kopman
Published: August 17, 2016
Read "R Train On The D Line" CD/LP/Track Review R Train On The D Line
by Mark Corroto
Published: July 22, 2016
Read "Surrounded by the Night" CD/LP/Track Review Surrounded by the Night
by Glenn Astarita
Published: May 29, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!