If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
When Giraudo channeled the big band and folkloric spirit through careful orchestration, the music sounded vital—the careful deployment of techniques and aesthetics rather than wishy-washy nostalgia. When history served merely as a flourish—the flamenco clapping, Davis' overly excited Swing Era drum solo—the music sounded dated, out-of-touch. In this premiere performance, the Pedro Giraudo Jazz Orchestra probed for its best sound, erring occasionally, but, in the best big band tradition, making up for shortcomings with sustained punch and vigor.
I was first exposed to jazz while learning to play chess with my uncles. They would play smooth jazz, and then switch up to more standard types of jazz. But, when they played Kind of Blue by Miles Davis, I was
hooked and I haven't looked back.