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As one would envision from an anthology spanning a twenty–year period that preceded the advent of modern recording techniques and apparatus, sound quality varies widely on these radio air–checks from 1933 (Benny Goodman / Jack Teagarden, “I Got a Right to Sing the Blues”) to 1955 (the Dorsey brothers, “Let’s Fall in Love”). Of the sixteen selections (including two medleys), three are from the ’30s, eleven from the ’40s and two from the ’50s (Les Brown’s “Ill Wind” from ’52 and the Dorsey brothers track, which, unless the date is in error, must have been passed over when the album was designated 1933–52 ). All of the songs are by the wonderful Harold Arlen, and most are readily familiar, even though Arlen himself has faded into an undeserved semi–obscurity. Almost any music–lover can hum (or even sing) “That Old Black Magic,” “Let’s Fall in Love” or “Over the Rainbow,” but how many can name the author? Arlen’s compositions, among the finest ever produced in Tin Pan Alley, were widely played and appropriately praised during their time, and most have hung around to become what are referred to today as standards. Besides Goodman, Brown and the Dorseys, orchestras represented here include those led by Glenn Miller, Bob Crosby, Stan Kenton, Harry James, Raymond Scott, Woody Herman and Duke Ellington. Not a shabby cross–section of renowned big bands, nor are the vocalists — Teagarden, Herman, Dick Haymes, Ray Eberle, Johnny Mercer, Dinah Shore, June Christy, Dorothy Collins, Frances Wayne, Helen Forrest and Johnny Desmond. There are two versions of Arlen / Ted Koehler’s “Now I Know,” the first by the Ellington orchestra at New York’s Hurricane Club, the other (sung in German!) by Desmond from a 1944 “propaganda broadcast” by Glenn Miller’s orchestra (we were at war then, remember?). It’s interesting that the Herman orchestra’s treatment of “June Comes Around Every Year” is introduced by the emcee as “a Johnny Mercer tune” (Mercer wrote the lyrics, as he did for a number of other “Harold Arlen tunes”). It seems that even in 1945 Arlen, much like Rodney Dangerfield today, got no respect. Be that as it may, this is a pleasant stroll down memory lane and an explicit reminder of what a marvelous songwriter Harold Arlen was.
Track listing: Accentuate the Positive; I Got a Right to Sing the Blues; That Old Black Magic; This Time the Dream’s on Me; Between the Devil and the Deep Blue Sea; As Long as I Live; Let’s Fall in Love; Over the Rainbow; Hooray for Love / What’s Good About Goodbye / For Every Man There’s a Woman; My Shining Hour; Happiness Is Just a Thing Called Joe; Fancy Meeting You; Now I Know (Ellington); Now I Know (Glenn Miller); June Comes Around Every Year / I’ve Got the World on a String; Ill Wind (64:27).
Orchestras led by Louis Armstrong, Benny Goodman, Tommy Dorsey, Glenn Miller, Bob Crosby, Jack Teagarden, the Dorsey Brothers, Stan Kenton, Harry James, Raymond Scott, Woody Herman, Duke Ellington and Les Brown.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.