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Curtis Mayfield is often remembered for penning the popular theme "Freddie's Dead." The irony of this title echoes sentiments of out-of-the-loop jazzers who thought iconic Blue Note pianist Freddie Redd made the passage. Redd, the lyrical comrade of Horace Silver and disciple of Bud Powell, is still very much alive and well, performing more regularly in Los Angeles.
The Music from The Connection reflects the turmoil, redemption, and salvation of its characters. The Connection was actually a 1959 play, and the members of the bandRedd, Jackie McLean (alto saxophone), Michael Mattos (bass), and Larry Ritchie (drums)were cast in it as themselves. Redd astutely suggested that band members play themselves so as to increase their notoriety and recognition.
This disc is valuable not only for its significance as the original score to its namesake play, but also for Redd's ability to musically capture a turbulent social climate. The sensibility and musical articulation are outstanding. And once again, Redd demonstrates his own voice along with giants he's influenced and vice versa. One of the most talented pianists of the hard bop era, Redd is still very much alive and his music always will be.
Track Listing: Who Killed Cock Robin?; Wigglin'; Music Forever; Time to Smile; Sister Salvation/Jim Dunn's
Personnel: Freddie Redd: piano; Jackie McLean: alto saxophone; Michael Mattos: bass; Larry Ritchie:
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.