Home » Jazz Articles » Album Review » Thad Jones: The Magnificent Thad Jones

97

Thad Jones: The Magnificent Thad Jones

By

Sign in to view read count
Thad Jones: The Magnificent Thad Jones
Trumpeter Thad Jones' greatest notoriety was as a member and leader of large ensembles, including the Count Basie Orchestra and later the Thad Jones/Mel Lewis Orchestra. But as great as his big band work was, it's a shame he didn't dedicate more time to small combos. He recorded a handful of really first-rate dates for Blue Note in the mid-1950s—chief among them, perhaps, 1956's The Magnificent Thad Jones. It's timeless music that reveals a musician with great chops, fine composing and arranging skills, and a serious understanding of the blues.

"April In Paris" sets the mood for the date, the standard swinging softly with Jones' graceful delivery. His improvisation has an almost vocal quality to it, with vibrato and melodic truth. Moving into the first original, "Billie-Doo," Jones wears his blues on his sleeve, using tenor saxophonist Billy Mitchell as a second comp alongside the great pianist Barry Harris. Mitchell adds to the improvisational canon, drawing on elements of Ben Webster and Charlie Parker to create a smoky soundscape. This is a band that has clearly absorbed the structures of bebop, but with Jones' guidance the music is slowed, becomes deeper, and delivers greater expressive content.

Perhaps the greatest moment of the date combines all these elements, as Jones savors the melody of "If Someone Had Told Me." It's taken as a trio, with just Harris and the light swish of Max Roach's brushes. There may be more beautiful, more emotionally packed trumpet recordings out there, but not many.

In the continuing vinyl resurgence, The Magnificent Thad Jones has now been reissued on two 45 RPM LPs by the wizards at Music Matters, whose entire raison d'être is to meticulously reissue classic Blue Note sessions. Only the original master tapes are used as sources to press what are likely the finest editions of these records ever cut. In this case, the album is a true monaural recording. Perhaps not quite so revealing as the series' mono champ, Gil Melle's Patterns in Jazz (also released in 1956), The Magnificent Thad Jones nonetheless delivers truly outstanding sound with an impressive level of detail. This is a truly exceptional pressing, befitting a premium priced package. The full-sized original album cover is an added bonus: a black and white photograph of Jones smoking a cigarette in a New York streetscape, surrounded by pigeons. It's one of the better Blue Note covers, and the full 12" x 12" cover really does it justice.

A member of one of jazz's royal families, among Thad Jones' ten brothers were Elvin Jones (saxophonist John Coltrane's explosive drummer during the 1960s) and Hank Jones, the elegant and versatile pianist who's longevity may be unsurpassed, remaining active until his death in 2011, at the respectable age of 92. Thad Jones held his own in this esteemed company, and left his own remarkable recording legacy. The opportunity to hear some of his best work, remastered with exceptional attention to detail should be welcome to his fans.

Track Listing

April In Paris; Billie-Doo; If I Love Again; If Someone Had Told Me; Thedia.

Personnel

Thad Jones
trumpet

Thad Jones: trumpet; Billy Mitchell: tenor sax; Barry Harris: piano; Percy Heath: bass; Max Roach: drums; Kenny Burrell: guitar (7).

Album information

Title: The Magnificent Thad Jones | Year Released: 2011 | Record Label: Blue Note Records

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Love Is Passing Thru
Roberto Magris
Candid
Sunny Five
Inside Colours Live
Julie Sassoon

Popular

Eagle's Point
Chris Potter
Light Streams
John Donegan - The Irish Sextet

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.