Given the technical considerations, I didn’t expect that Hagans and Belden would be able to translate their groundbreaking 1999 projectAnimation/Imaginationto the live stage, but they proved me wrong in astonishing fashion. This new disc documents the band’s performance at the Montreal Jazz Festival with Hagans on trumpet, Belden soprano sax, Scott Kinsey keyboards and samples, David Dyson bass, Billy Kilson drums, and DJ Kingsize on the turntables.
This project seems to work better on many levels than similar attempts to assimilate techno and jungle elements into jazz. Hagans and Belden chose the ideal meeting point for the two disparate styles: the funk-fusion aesthetic of Miles Davis in the 70s. The results are fresh, enervated and crackling with power. Like many of Miles’ electric albums the tracks here segue seamlessly into one another, keeping the momentum alive. Kilson is an especially strong asset as illustrated by performances like Tracks 3 and 6. Hagans is a brooding Dark Magus, and Belden bristles with fiery ideas. If this isn’tthefuture of jazz, at the very least it’s an exciting glimpse into an alternate universe of sound possibilities. Highly recommended.
Track Listing: 1) Introduction; 2) Animation/Imagination; 3) Kingsize; 4) Hud Doyle; 5) Killer Instinct; 6) 28 If; 7) Dark City; 8) Are You Threatening Me?; 9) Love
Personnel: Tim Hagans, trumpet; Bob Belden, soprano sax; Scott Kinsey, keyboards and sample effects; David Dyson, bass; Billy Kilson, drums; DJ Kingsize, turntables
Enjoy Three Days on the Beach with Snarky Puppy, Brian Blade & The Fellowship Band, Lettuce, Cecile McLorin Salvant, Lila Downs, Michael McDonald Acoustic Quartet, Christian Scott aTunde Adjuah, Flor de Toloache and more—February 14-16, 2020 at the North Beach Bandshell in Miami, FL.
The winner receives a 3-day pass for two. Excludes travel or lodging.
Acclaimed by the New York Times as one of the “Top 10 Definitive Moments of the Decade in Jazz Music,” GroundUP goes beyond the typical festival experience, breaking down the barriers between audience and artists...
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