All About Jazz

Home » Articles » CD/LP/Track Review

5

Soweto Kinch: The Legend Of Mike Smith

Bruce Lindsay By

Sign in to view read count
Once upon a time the C-word was in common usage. It isn't heard so much these days, but the older generation mustn't be lulled into a false sense of security, because the younger generation remains perfectly capable of using the word on occasions. This is one of those occasions, because Soweto Kinch's The Legend Of Mike Smith is very definitely a Concept Album—and it's quite a concept.

Kinch is an alto saxophonist, rapper and composer: a two-time winner of the MOBO Award for Best Jazz Act who has always seemed equally at home in hip-hop. He's no stranger to the idea of the concept album—A Life In The Day Of B19: Tales Of The Towerblock (Dune Records, 2006) fits neatly into the category—but The Legend Of Mike Smith, his fourth album, is his most complex and expansive recording yet.

This is a double album, a 140-minute narrative that combines rap, spoken word, electronics and raw, high-energy jazz. It tells the tale of Mike Smith, a struggling yet cheerfully optimistic young hip-hop artist, played with great charm by Toyin Omari-Kinch (Kinch's brother), and his attempt to break into the music big time. Smith may be talented and keen, but his path to fame is far from smooth. He experiences encounters—real or imaginary—with the Seven Deadly Sins and, in a series of spoken word tracks, he's frustrated by a range of characters including an annoying, money-obsessed, record label executive and a jobsworth council concierge. Eventually, Smith reaches his goal and, with an almost Arthurian flourish, he's given stewardship of hip-hop's own Excalibur, The Golden Mic.

Kinch's raps are inventive and articulate. They range from the angry invective of "Gula" and "The Board Game" to the languid beauty of "Better Off Alone." with Eska Mtungwazi's gorgeous vocal. The targets of Kinch's ire are the usual suspects—bankers, big business, major labels—but his lyrical attacks are fresh and imaginative. The tunes, featuring guest musicians including trumpeter Jay Phelps, saxophonist Shabaka Hutchings and pianist Julian Joseph, as well as Kinch's excellent core rhythm section of bassist Karl Rasheed-Abel and drummer Graham Godfrey, are constantly engaging. "Vacuum," featuring Phelps and Joseph, is a fine slice of downbeat, atmospheric, old school jazz. "The Bounce," which closes the album, is superb: an up-tempo slice of post-bop energy from Kinch, Rasheed-Abel and Godfrey, with a fiery guest spot from Hutchings on tenor.

There's a coherent narrative to The Legend Of Mike Smith that ensures its success as a modern day morality tale. How often it will be heard in its entirety is another matter; once Smith's story is clear few of the spoken word tracks reward repeated listening. The music, however, is genuinely multilayered—filled with creativity and drive its pleasures emerge gradually, revealing themselves a little at a time and rewarding further exploration.

Track Listing: CD1: The Phone Call; A Restless Mind; The Great Commission; The Dream; Proactive Training; Acedia; Buzzy's Coattails; Invidia; Pick Up The Phone; Road Block; Tube Delays; Traffic Lights; Pressure; Serpent's Tail; Ira; Concierge; Vacuum; Shopping Spree; Sweeping Change; Lord Of The Flies; Gula. CD2: Escape The Vomitorium; Luxuria; Not Smooth Sir; The Board Game; Play Again; Avaritia; Roma; Slam; Shut Out The Voices; Better Off Alone; Razor Calls; Superbia; The Dark Warrior Lord; D'Urge; Man's Darkest Hour; Epiphany; I'm Going Away; The Healing; The Golden Mic; The Bounce.

Personnel: Soweto Kinch: rap vocals, alto saxophone, tenor saxophone, Fender Rhodes, programming; Karl Rasheed-Abel: double bass; Graham Godfrey: drums; Shabaka Hutchings: tenor saxophone (CD1#2, CD1#10; CD2#8, CD2#14, CD2#18, CD2#20), clarinet (CD1#4. CD2#12); Jay Phelps: trumpet (CD1#17); Julian Joseph: piano (CD1#17, CD1#19); Eska Mtungwazi: vocals (CD1#12, CD2#10); Cleveland Watkiss: vocals (CD2#6); Rachel Maby: spoken words, vocals (CD2#16); Toyin Omari-Kinch: "Mike Smith"; Tessa Walker: "Kate Advo"; Daniel Anderson: "Razor Sharp"; Tony Platt: "policeman"; David Timothy: "concierge."

Title: The Legend Of Mike Smith | Year Released: 2013 | Record Label: Soweto Kinch Recordings

Tags

Related Video

comments powered by Disqus

Related Articles

Read First Impressions CD/LP/Track Review
First Impressions
by Dan McClenaghan
Published: February 25, 2018
Read Dream Theory In Malaya: Fourth World Volume Two CD/LP/Track Review
Dream Theory In Malaya: Fourth World Volume Two
by Chris May
Published: February 25, 2018
Read In Stride CD/LP/Track Review
In Stride
by Mark Sullivan
Published: February 25, 2018
Read Osmosis CD/LP/Track Review
Osmosis
by Glenn Astarita
Published: February 25, 2018
Read Stax Singles, Vol. 4: Rarities & Best of the Rest CD/LP/Track Review
Stax Singles, Vol. 4: Rarities & Best of the Rest
by Jim Trageser
Published: February 25, 2018
Read You'd Be So Nice To Come Home To CD/LP/Track Review
You'd Be So Nice To Come Home To
by Dan Bilawsky
Published: February 24, 2018
Read "Codex" CD/LP/Track Review Codex
by Doug Collette
Published: December 3, 2017
Read "The MUH Trio – Prague After Dark" CD/LP/Track Review The MUH Trio – Prague After Dark
by Karl Ackermann
Published: March 17, 2017
Read "Dream Theory In Malaya: Fourth World Volume Two" CD/LP/Track Review Dream Theory In Malaya: Fourth World Volume Two
by Chris May
Published: February 25, 2018
Read "Prague After Dark" CD/LP/Track Review Prague After Dark
by Jack Bowers
Published: March 16, 2017
Read "Better By Far" CD/LP/Track Review Better By Far
by Dan McClenaghan
Published: April 17, 2017
Read "Chapter Five" CD/LP/Track Review Chapter Five
by Jack Bowers
Published: May 28, 2017