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The duo debut album is entirely improvisational. It highlights the breadth of the musical vocabulary of both Qvenlid and Nilssen and how the two melt elements from spacey- progressive rock, fusion, experimental sonic textures and free jazz into a cohesive, highly playful set of compositions. It also features their clever understanding of how the studio space can be used for creating a unique sound of their own and the immediate and profound communication between these gifted musicians.
The duo title and the titles of the nine pieces refer to an actual and imaginary journey in spacethe rhesus monkey Albert II was the first ever monkey in space that passed the Kármán line of 100 km taken to designate the beginning of space. The music moves in few parallel directions. It is rich in its melodic tones and driving, rhythmic ideas, but at the same time there is always a subversive undercurrent that obscures the melodic theme and progression with electronic noises, fractured beats and adventurous sonic searches. And vice versa, beneath any electronic, noisy storm there bubbles a melodic theme.
"Chopping Wood In My Brand New Moon Boots" and "Blue Baboon and Carpenter" sound as reserved, lyrical pieces and both are if they were played on Qvenild's piano only, but both are embraced by delicate yet disturbing, spacey soundscapes that imbue both with a disquieting tone. The humor of the pieces titles reflects the openness and unconventional employment of soundsany sounds that stress the joyful fascination of creating a new sonic language, as the two demonstrate on "Digital Cigarettes," and "Meanwhile In A Galaxy Far Away." The two enjoy the free improvised, intense collisions of sounds, acoustic, processed and electronic, exploring and turning the noisy mayhem into impressive, nuanced textures. "sPacemoNkey" and "Long Distance Call" feature the duo as structuring epic, cinematic stories, almost as prog-rock suites, with dramatic shifts in some tense plots.
Surprising and stimulating music. sPacemoNkey is a unique duo, with a distinct and highly personal sound and interplay of its own.
Track Listing: Aeronautics; Chopping Wood In My Brand New Moon Boots; Digital
Cigarettes; Darkness; Blue Baboon and Carpenter; sPacemoNkey; Meanwhile
In A Galaxy Far Away; Long Distance Call; Landing Day.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...