All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Free improvisations that are stunning in their richness and melodic tonalities. Bassist Kent Carter, a veteran of Steve Lacy's Seventies groups, and violinist Albrecht Maurer obviously know each other very well. The music they make together is full of "conventional" harmonies as much as it is of dissonance, so that these pieces sound classically designed and wide-ranging, as if Stravinsky or Mahler had suddenly taken up free improvisation.
Each is a lovely little piece, with the longest (and one of the two based on prearranged themes), "Archaic Fragments," clocking in at a little over thirteen minutes. The others are never longer than nine, but Carter and Maurer manage to say a great deal within these confines. Each piece is varied and yet intricately coherent. The melodic invention on a stately and yet playful piece like "Natrushka," or the more sonorous and dramatic "Riviere," is nothing short of remarkable.
While string duos may not be your cup of tea, if you have any interest at all in "free" improvisation at its absolute best, this disc will appeal to you. Play this for your friends who sneer that free improv is an excuse for a lot of aimless meandering. Recommended.
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.