Home » Jazz Articles » Multiple Reviews » The Jazz Violin Connection: Happy Reunion & Oh Lady Be Good

The Jazz Violin Connection: Happy Reunion & Oh Lady Be Good

By Ken Dryden
May 6, 2007
Sign in to view read count

Violin always seems to be thought of in a classical context first, in spite of the considerable contributions of jazz violinists over the past eight decades. Two recordings, one by a relative newcomer that has just been released, the other a reissue of a 1980 release by a legend, share some common ground.

Stephane Grappelli & Martial Solal
Happy Reunion
Sunnyside
2007

It is hard to find a jazz violinist who specializes in swing who hasn't been influenced by Stephane Grappelli to some degree. Grappelli, who initially made his claim to fame with his legendary partner, guitarist Django Reinhardt in the Quintette of the Hot Club of France (QHCOF), parted with him prior to World War II and slowly rebuilt his career during the postwar years, though it wasn't until a revival of interest in the violin master in the late '60s that he found himself in demand for recordings and concerts.

Happy Reunion was actually Grappelli's first and only recording with pianist Martial Solal (aside from a single track in the late '50s where their performances were overdubbed separately), though this meeting draws from a wide range of material outside of the repertoire that he played with Reinhardt. The veteran violinist seems particularly inspired by his fellow countryman in their romps through "Shine and Bud Powell's "Parisian Thoroughfare . Solal steals the show a bit in the humorous interpretation of Zez Confrey's novelty piano composition "Stumbling by inserting a number of amusing song quotes. Their impressionistic setting of Reinhardt's timeless ballad "Nuages proves rather refreshing. In addition to two originals by Solal, the duo wraps the date with an unusual free improvisation ("Et si I'on Improvisait? ), proving that Grappelli did not restrict himself exclusively to swing and bop.

Michele Ramo
Oh' Lady Be Good
Moonboat
2006

Michéle Ramo's trio session Oh Lady Be Good is a bit more focused on standards from the heyday of the QHCOF. The violinist recruited veteran guitarist Bucky Pizzarelli (who appeared on a number of recordings with Grappelli) and bassist Jerry Bruno for the recording, two men who have worked together frequently since they played alongside one another in Vaughn Monroe's Orchestra. Although covering material associated with Grappelli, Ramo is hardly a clone, his playing concentrating on lyricism and emphasizing the lower range of his instrument, making it sound like he could be playing a viola. Pizzarelli's unaccompanied intro to "Nuages (a piece he has played countless times in concert) is a masterpiece, with the trio resorting to the chugging rhythm made famous by the QHCOF. Ramo also includes songs written later, including Reinhardt's infrequently-performed ballad "Mélodie Au Crépuscule and Johnny Mandel's gorgeous "A Time For Love .

Tracks and Personnel

Happy Reunion

Tracks: Shine; Valsitude; Sing For Your Supper; God Bless The Child; Nuages; Parisian Thoroughfare; Grandeur Et Cadence; Stumbling; Et Si L'on Improvisait?.

Personnel: Stephane Grappelli: violin; Martial Solal: piano.

Oh' Lady Be Good

Tracks: Oh Lady Be Good; Autumn Nocturne; Crazy Rhythm; Everything I Have is Yours; Have You Met Miss Jones; They Can't Take That Away From Me; Nuages; Stardust; Tears; Mélodie Au Crépuscule; A Time for Love.

Personnel: Michéle Ramo: violin; Bucky Pizzarelli: guitar; Jerry Bruno: bass.

< Previous
The Target

Next >
Matt Weston: Percussive Experiments

Comments

Tags

For the Love of Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.