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A colorful masterpiece of an album, Gene Burkert's second recording as a leader (1996's The System was the first) contains new material in the form of five originals, along with fresh interpretations of a few old standards in one fine, attention-grabbing session. A veteran musician whose credits include playing with some of the biggest names in show business (Mel Torme, Liza Minelli and Johnny Mathis), Burkert has also played with first-class jazz musicians (Poncho Sanchez, Diana Krall, Herbie Hancock, and the big bands of Bill Watrous, Bill Holman and George Stone).
In fact, Stone co-produced this project, adding one of his own compositions ("Straight Ahead") and providing the arrangement for "The Very Thought of You," an absolutely beautiful melody containing the only vocals on the album, supplied by Celena Lares.
Burkert brings together a talented group of players with impressive credentials of their own: pianist Christian Jacob, the much in-demand bassist Trey Henry, master guitarist Larry Koonse, drummer Dave Tull and percussionist Darrell Voss. This burner of an album opens up with Stanley Turrentine's signature "Sugar" with a nice alto expression from the leader. He supplies more refined alto solo work on one of his originals, "Our Pleasure," which also features a terrific guitar lick by Koonse. There's a cool jazzy rhythm and beat on "Rogue March," another Burkert tune.
Burkert takes on the tenor on the Jerome Kern's "Yesterdays," a rather fast-paced interpretation that is a bit too quick for me to appreciate. In stark contrast, however, he does a pleasant slow and mellow rendition of the samba-tinged "Gaviota." One of the best charts here is Gearge Stone's "Straight Ahead," with various stylish solo performances from the band. Expanding his range on the reeds, Burkert tackles the soprano sax on "Alikeness" and on "Wind In Time."
Burkert claims the spotlight with a truly outstanding performance on a range of instruments. Jazz Palette is a sensational recording packed full of engaging new charts, offering a different and delightful approach to often-recorded old standards.
Track Listing: Sugar; Our Pleasure; Rogue March; Yesterdays; Gaviota; Yatra Ta; Alikeness; Talking Walls; Rasa and Her Moods; The Very Thought of You; Straight Ahead; Wind In Time; Relative Material.
Personnel: Gene Burkert: alto, tenor, and soprano saxophones, flute; Christian Jacob: piano, Fender
Henry: bass; Dave Tull: drums; Larry Koonse: guitar; Darrell Voss: percussions; Celena Lares:
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.