Birdsongs of the Mesozoic: The Iridium Controversy

The Iridium Controversy is serious and rather self-conscious music, but not without ample moments of levity and celebration. Half the pieces are penned by Lindgren, the rest consistent enough to render facile comparisons pointless. After the eager and rather forward opener, the first of two title tracks (subtitled "Before") departs from this rocking energy toward a docile chamber sound that's almost baroque in its counterpoint and clarity. Its successor, "After," builds on military beats to assemble an optimistic prog-rock colossus, high-riding melodies alternating with periods of restraint.

Bierylo next interrupts this seeming clarity with a pointed collection of polyrhythms. Rick Scott's appropriately titled "Tectonic Melange" goes from deep held notes to an upbeat group improvisation. The most openly rock-oriented piece is "Sherpas on Parade," while "Race Point" offers yet more orchestral textures. It's a very strange combination of approaches, heavy on composition but often quite light in tone. Since it's often hard to distinguish the voices involved, Birdsongs melds into a shifting, shimmering entity.

Pangaea or Panthalassa, it's all the same. Lots of connections from lots of places. A fitting fusion for four restless spirits who refuse to settle down.

Scores and MIDI files for these compositions can be found at Birdsongs of the Mesozoic online.

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