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As an academic, pianist Dave Lalama's resume includes being a founding faculty member of the prestigious Manhattan School of Music Jazz Program, as well as a current professor at Hofstra University where hundreds of students, colleagues and musicians have all been a part of his distinguished professional life. As a musician, his background includes performances with many legendary bandleaders, among them Woody Herman, Buddy Rich and Mel Lewis. The combination of having worked with so many talented musicians throughout his career as well as experiencing the big band landscape with the best in the business, culminated in the decision to form his own 17-piece big band comprised of Hofstra alumni, faculty members and guest artists for the purpose of sharing his love for the art of making jazz music.
The Hofstra Project documents the debut recording of The Dave Lalama Big Band, featuring original compositions, and new arrangements of such jazz standards as Charles Mingus' "Duke Ellington's Sound Of Love," Joe Henderson's "Inner Urge," the Sonny Rollins standard "Pent-Up House" and James Moody's classic "Moody's Mood For Love." With thirteen big band arrangements to sample, this album delivers a musical statement aficionados of the big band genre may well appreciate. Among the alumni and guests lending their talents on this project are John Mosca, trombonist and co-leader of the Vanguard Jazz Orchestra; saxophonist Dave Pietro, veteran of the Maynard Ferguson, Maria Schneider and John Fedchock orchestras; Birdland Big Band mainstay, trumpeter Glenn Drewes; guitarist John Pizzarelli; and drummer Tony Tedesco.
Original tunes like the sizzling opener "Full House," "No Evidence," "St. Thelonious" and "Blues For..."all make quite an impression. Originally penned for the Buddy Rich Big band, "This Song Isn't You" is the other original that stands out especially since it features renowned brother Ralph Lalama on tenor saxophone, as well as solo spots from Mosca, Drewes and Tedesco. The fresh arrangement of "Moody's Mood For Love" is definitely an album highlight probably destined for repeated airplaythat's just how good this one sounds.
Oscar Pettiford's standard "Tricotism," and "The Peacock" by Jimmy Rowles are two completely different but just as terrific pieces. The first a blazer and the latter a soft beautiful ballad featuring a warm-toned baritone solo from Jeff Lange presenting one of those not-to-be missed highlights of the recording. The outstanding original charts and the exciting new arrangements of well-known jazz standards, are two key contributions to the positive impact The Hofstra Project will leave on audiences. Just as important is the seasoned cast of players and the musicianship of The Dave Lalama Big band, which deserves a grade "A."
Track Listing: Full House; Where Are You; No Evidence; Duke Ellington's Sound Of Love; Inner Urge; Pent-Up House; Moody's Mood For Love; St. Thelonious; Tricotism; The Song Isn't You; The Peacocks; Blues For...; Evansville.
Personnel: Dave Pietro: alto saxophone, flute, soprano saxophone; Jonathan Holford: alto saxophone; Ralphn Lalama: tenor saxophone; John Marshall: tenor saxophone; Jeff Lange: baritone saxophone; Leon Petruzzi: trumpet, flugelhorn; Mike Rubinstein: trumpet, flugelhorn; Glenn Drewes: trumpet, flugelhorn (3, 5-7, 9-11, 13); Nathan Warner: trumpet, flugelhorn (1, 2, 4, 8, 12); Mike Carubia: trumpet, flugelhorn; John Mosca: trombone; Brent Chiarello: trombone; Joey Devassy: trombone; Justin Comito: bass trombone; Dave Lalama: piano; Pete Coco: bass; Tony Tedesco: drums.
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.