Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

241

Coleman Hawkins: The High and Mighty Hawk

By

Sign in to view read count
Recorded in England in 1958, this little-known session, originally released on the obscure Felsted label, is an inarguable gem. Perhaps even the word "masterpiece" is not too much of a stretch. It's doubtful that the putative "father of the tenor saxophone," Coleman Hawkins, made a better recording in the age of long-playing records, and it's just as unlikely that a better example of the impeccable touch and melodic inventiveness of the prolific Hank Jones can be found on any other recording featuring the versatile, style-resistant pianist.



Jazz history books frequently use Hawkins to exemplify the "harmonic" approach to improvisation which, unlike the "melodic" approach of Lester Young, is exhaustive in its arpeggiating the chords of a song, outlining them moreover in a regular "trochaic" rhythm (heavy/light stress) that practically replicates the drummer's work on the ride cymbal. There's little better evidence of this approach than on the opening "Bird of Prey Blues," a blues during which Hawkins locks in tight with the rhythm section and, without letting up on the accelerator, drives hard through 18 relentlessly virile choruses in the key of G.



Every bit as impressive are Jones' two solo spots: first, two seducing choruses that are warm and inviting, then following Hawkins with a second seven-bar stretch, a reminder that the late piano giant could be no less inspired than tasteful. Perhaps even more dazzling is his support of the soloists—minimalist whole-note chords behind the active Hawkins, block-chorded descending riffs during the more conservative trumpet playing of Buck Clayton, then Count Basie plinks followed by perfectly placed nudges, during a characteristically muscular Ray Brown bass solo.



Collectors who have waited until mid-summer 2010 to acquire this digitally remastered edition will be doubly rewarded. A session recorded the previous week—with swing era trumpet star Roy Eldridge and the redoubtable bassist George Duvivier—has been included with the featured date. Taken together, the sessions offer a contrast between the fiery Eldridge and the resourceful Clayton that's somewhat reminiscent of Charlie Parker's two quintets, one featuring the pyrotechnical Dizzy Gillespie and the other a reserved Miles Davis.

More importantly, the pianist on both of the present sessions remains the same. In fact, Miles Davis' lavish praise of Jones, as reported in the liner notes for a renowned album of the same year—Julian "Cannonball" Adderley's Somethin' Else (Blue Note, 1958)—might be even more applicable to The High and Mighty Hawk, with music that is no less exceptional, despite featuring players whose reputations had been established almost 30 years earlier. Now, more than 50 years later, it glistens with unflagging freshness, swing, and vitality.


Track Listing: Bird of Prey Blues; My One and Only Love; Vignette; Ooh-Wee, Miss G.P.!; You've Changed; Get Set; Sunday; Hanid; Honey Flower; Honey Flower [alternate take]; Nabob.

Personnel: Coleman Hawkins: tenor sax; Buck Clayton: trumpet (1-7); Hank Jones: piano; Mickey Sheen: drums; Ray Brown: bass (1-7); Roy Eldridge: trumpet (8-11); George Duvivier: bass (8-11).

Title: The High and Mighty Hawk | Year Released: 2010 | Record Label: Poll Winners Records


Tags

comments powered by Disqus

More Articles

Read Rain or Shine CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read Lighthouse CD/LP/Track Review Lighthouse
by Mark Sullivan
Published: December 15, 2017
Read Copenhagen Live 1964 CD/LP/Track Review Copenhagen Live 1964
by John Sharpe
Published: December 15, 2017
Read Somewhere Glimmer CD/LP/Track Review Somewhere Glimmer
by Glenn Astarita
Published: December 15, 2017
Read Lattice CD/LP/Track Review Lattice
by John Sharpe
Published: December 14, 2017
Read I Think I’m Going To Eat Dessert CD/LP/Track Review I Think I’m Going To Eat Dessert
by Mark Corroto
Published: December 14, 2017
Read "No Answer" CD/LP/Track Review No Answer
by Karl Ackermann
Published: October 18, 2017
Read "Evergreen (Canceled World)" CD/LP/Track Review Evergreen (Canceled World)
by Dave Wayne
Published: January 4, 2017
Read "Paint" CD/LP/Track Review Paint
by Jerome Wilson
Published: October 16, 2017
Read "Bismuth" CD/LP/Track Review Bismuth
by Geno Thackara
Published: November 29, 2017
Read "Of Tides" CD/LP/Track Review Of Tides
by John Eyles
Published: March 7, 2017
Read "Cornua Copiae" CD/LP/Track Review Cornua Copiae
by John Sharpe
Published: December 15, 2016

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!