Alex Graham: The Good Life

As for Graham, he does the best he can to rise above the handicap. His main drawback is that he sounds like no one and everyone. Put him in a lineup with Antonio Hart, Kenny Garrett, Wess Anderson, Vincent Herring, Ian Hendrickson-Smith, Andy Fusco, Dick Oatts, or any number of other contemporary mainstream players and you'd be hard-pressed to single him out. Of course, that's not all bad, as each of those alto prodigies is highly skilled and consistently articulate, as is Graham. He plays all the right notes and he swings. On the other hand, he's not designing anything that hasn't been handsomely worn on many other occasions.

One bright thing the session has going for it is Graham's choice of material, which is well above average. His three compositions—"Push, "It's a Long Way Down, "Explosion —are quite good, the three standards—"I Had the Craziest Dream, "The Good Life, Tadd Dameron's jazz evergreen "On a Misty Night —even better. Graham plays each one with assurance if not notable originality, choosing to stay with the alto except for the introduction and coda to "Push, whereon, thanks to some shrewd electronic legerdemain, he plays alto, clarinet, and flute "simultaneously.

Roe is another strong soloist, while bassist Rodney Whitaker and drummer Joe Strasser carry out their rhythmic assignment with discretion and taste. If one overlooks Roe's too-prominent role as Graham's chaperon, this is a consistently entertaining album, even though, as another lyric affirms, it may seem you've heard that song before.

Comments