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A quick trip to multiple reedman Alex Graham's web site finds his sound compared to Wayne Shorter, Dexter Gordon, and Horace Silver, but a couple of spins of The Good Life tells you that these reactions must be referring to the band's collective sound. Graham plays alto sax, flute, and clarinetthe latter two reeds on the opener onlybut he's an alto saxophonist first and foremost on this outing. His tone on that main horn sounds like Jackie McLean's to metart and tangy, with a little bit of a slur in his articulation and some edge in the sound.
Of the six tunes here, two are originals and four are penned by othersWayne Shorter's "It's a Long Way Down," Tadd Dameron's "On a Misty Night," Warren/Gordon's "I Had the Craziest Dream," and the Distal/Reardon gem "The Good Life."
The band sounds particularly inspired on the Shorter piece, a driving up-tempo groove where the rhythm section locks in, with a bounce in its step, behind a sizzling Graham. The leader's original "Push" teases with that previously mentioned flute/alto/clarinet interplay on the intro. It's a fine arrangement, and I wish he'd done some more of this, but it's all alto for the rest of the wayand his snappy "Explosion" sounds like a cooker right off a sixties Blue Note set.
"The Good Life" slows the pace and showcases Graham's ballad playingsweet and soulful, with a contained energy, his finest blowing on the record.
A strong outing from alto saxophonist Alexander Graham.
Track Listing: Push; I Had the Craziest Dream; It's a Long Way Down; The Good Life; Explosion; On a
Personnel: Alex Graham: alto saxophone, flute, clarinet; Rick Roe: piano; Rodney Whitaker: bass; Joe
Years ago now--in Rhodesia--listening to Voice of America with Willis Conover I heard Bunk Johnson play When The Saints Go Marching In, and Billie Holiday sing Don't Explain. I knew then there was no other life for me than jazz.