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With a name like Smucker’s it has to be good; and with a name like Coltrane (even though unrelated to that Coltrane) it has to be even better. Carrie Coltrane’s a decent singer, but if The First Time is supposed to be a Jazz album it lands considerably short of the mark (unless one broadens the definition to include “smooth Jazz” or “crossover”). The material is uncompromisingly pop, and appending a few reputable Jazz musicians can’t make it anything else. Coltrane has a smooth, seductive and moderately generic mid–range voice that she uses to good effect, and the backing is so innocuously well–mannered that so–called “Jazz radio stations” should be hungering to give the album wide exposure. There are strings on a couple of numbers, groups ranging from trio to sextet on others. All are there for window–dressing, as the Jazz content is negligible. Eugene McDaniels wrote two of the songs (including the familiar “Feel Like Making Love”), co–authored “Don’t Get Me Started” with Terry Silverlight, and added lyrics to Miles Davis’ “Blue in Green” and “Freddie Freeloader,” Masahiko Satoh’s “Evening Snow” and Carrie Thompson’s “Follow You Down.” Thompson composed “Love Me Where I Live” and is the lyricist on Charlie Ernst’s “Safe with Me” and Mark Lucas’ “River in the Desert.” Appropriately, the final selection, “Freddie Freeloader,” fades quietly into the sunset and out of one’s memory, as that is what the rest of the music does after a moment or so. Coltrane sings well enough; I suspect she can do better than this.
Track listing: Blue in Green; Love Me Where I Live; Don’t Get Me Started; Something Real; Evening Snow; Feel Like Makin’ Love; Safe with Me; River in the Desert; Follow You Down; Freddie Freeloader (53:23).
Carri Coltrane, vocals; Ron Carter, bass; Lewis Nash, drums; Ted Brancato, piano; Mark Lucas, guitar; Mayra Casales, percussion; Matt Langley, soprano saxophone; Charlie Ernst, string conductor; Maynard Goldman, John Harrison, Jason Horowitz, Greg Vitale, Jim Orient, first violin; John Baldwin, Sheila Vitale, Mark Paxson, Robert Curtis, Laura Jackson, second violin; Jennifer Sterling, Graybert Beacham, Joli Wo, viola; David Finch, Theresa Borsodi, cello.
Contact: Accurate Records, P.O. Box 390115, Cambridge, MA 02139 (phone 617
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.