184

Nels Cline/Vinny Golia: The Entire Time

John Kelman By

Sign in to view read count
Nels Cline/Vinny Golia: The Entire Time The one constant with a new record from guitarist Nels Cline is the element of surprise. From the ambient industrial sound of his recent collaboration with bassist Devin Sarno, Buried on Bunker Hill , to the avant but occasionally groove-centric work with his band, Nels Cline Singers, and their latest, The Giant Pin , to everything from lyrical country-tinged work to serious shredding with Wilco , the one thing that defines Cline is his voracious appetite to try anything, to play everything. And yet, considering the diversity of musical contexts in which he places himself, there's a clearly identifiable style that emerges, whether he is playing acoustic or electric, six or twelve string, nylon string or steel. Whether playing acoustic music with the now-defunct Ralph Towner-with-an-urban-edge Quartet Music or contributing hard-edged fusion to Scot Ray's Active Vapor Recovery , Cline's oblique style, with its rough edges and abstract harmonic sensibility, pervades whatever he does.

Woodwind multi-instrumentalist Vinny Golia is as stylistically broad as Cline, albeit in a different way, combining a strong exploratory verve with an approach that is equal parts jazz, world music and contemporary classical music. Golia and Cline go back nearly thirty years, when Golia would spend time at the Cline household socializing and playing music. In the ensuing years Cline and Golia have played a lot of duet music together, but none has ever seen commercial release.

Until now. The Entire Time is a remarkable album of mostly free improvisations, demonstrating the breadth of both players and the kind of empathy that can only come from years of collaborative work.

A variety of textures comes from both players' use of a diversity of instruments. On "Divining" Cline creates a backwash of ambient noise over which he layers abstruse electric twelve-string guitar lines in synch with Golia's bass clarinet. "City Snow Stories" is more tranquil, with Golia's alto flute drawing out long tones over Cline's carefully and gradually-developed nylon-string guitar. On "Opus de Kirkus (for Rahsaan Roland Kirk)" Golia plays stritch and tenor saxophone simultaneously, while Cline creates atonal textures on electric six-string, shifting into a middle passage where Golia and Cline seem to spur for linear dominance. "Smooth Surface, The Canals - two," with its twelve-string acoustic guitar and soprano saxophone, could have precedence in the improvisational side of Ralph Towner and Oregon, but there is something more angular, more sharp-edged and intense. And Golia demonstrates a wealth of extended techniques on his instruments that one almost never hears from Oregon woodwind player Paul McCandless.

Yet as obscure as the entire recording is, it is also strangely compelling and even, if one can keep an open mind, approachable. There's nary a fixed motif to hang onto (with the exception of the one composed track, Cline's short "For Oliver Lake"), yet intriguing ideas leap out from every corner. For listeners who think of free improvisation as aimless meandering, The Entire Time is a fine argument for a genre which, at its best, demonstrates a musical simpatico that is rarely surpassed in other contexts.

Visit Nels Cline on the web.


Track Listing: Divining; City Snow Stories; For Oliver Lake; The Tiny Boxes Speak Her Name; Smooth Surface, The Canals - one; Opus de Kirkus; Fond Rememberances of Luther Talbot; Smooth Surfaces, The Canada - two; Destination Deeth

Personnel: Nels Cline (electric 12-string guitar, nylon-string acoustic guitar, electric 6-string guitar, acoustic steel-string guitar, acoustic 12-string guitar, effects pedals, loops, megamouth, sirens), Vinny Golia (xiao, bass clarinet, alto flute, curved soprano saxophone, dzi, soprano saxophone, stritch, tenor saxophone)

Year Released: 2004 | Record Label: Nine Winds Records | Style: Modern Jazz


Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Up Go We" CD/LP/Track Review Up Go We
by Budd Kopman
Published: August 4, 2016
Read "Perihelion" CD/LP/Track Review Perihelion
by Mark Corroto
Published: June 21, 2016
Read "In Movement" CD/LP/Track Review In Movement
by Karl Ackermann
Published: May 4, 2016
Read "Allied Forces" CD/LP/Track Review Allied Forces
by David A. Orthmann
Published: November 13, 2016
Read "Pomona" CD/LP/Track Review Pomona
by Mark Sullivan
Published: October 16, 2016
Read "Flux" CD/LP/Track Review Flux
by Dan McClenaghan
Published: August 18, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!