Tracks: Overture; Bridge SoloKeefe; Was Ist Kultur?; My TIme Is My Own; Pasturale; There Is No Language Without Deceit; Hierarchy Follies; Round Goal; Bridege SoloDave; Neither Spin Nor Weave; Roses.
Personnel: Wacław Zimpel: clarinet, alto clarinet; Peter A. Schmid: bass clarinet, e flat clarinet, sopranino saxophone, baritone saxophone, bass saxophone; Marc Stucki: bass clarinet, tenor saxophone, harmonium); Keefe Jackson: bass clarinet, tenor saxophone; Mars Williams: sopranino saxophone, soprano saxophone, alto saxophone; Thomas K.J. Mejer: sopranino saxophone; Dave Rempis: alto saxophone, baritone saxophone.
Look Like You're Not Looking
Tracks: Look Like You're Not Looking; Stay Here, I'll Come To You.
Personnel: Jonah Parzen-Johnson: baritone saxophone, vocals, analog synthesizer.
Personnel: August Rosenbaum: piano; Thomas Morgan: bass; Mads Forsby: drums; Joel Gjærsbøl: guitar, effects layering; Jakob Bro: guitar; Lars Greve: saxophone, clarinet, bass clarinet; Otis Sandsjö: saxophone; Victor Dybbroe: percussion.
Coin Coin Chapter Two: Mississippi Moonchile
Tracks: Invocation; Humility Draws Down Blue; All Nations; Twelve Sighed; Spares Of The World; Secret Coven; River Ruby Dues; Confessor Haste; Amma Jerusalem School; For This Is; Responsory; The Labor Of Their Lips; Was The Sacred Day; Lesson; Woman Red Racked; Thanks Be You; Humility Draws Down New; Benediction.
Tracks: Cold Blue Sky; Old Feet Feet Out The Path; A Sudden Shift Missed; As The Moon Dips In Nettles; Hundred Of Wings Steel the Sun; River Willows Sway; One Side Of My Face Is Colder Than The Other; Stone Fog.
Personnel: Wacław Zimpel: bass clarinet, alto clarinet, Bb clarinet, tarogato, overtone flute; Krzysztof Dys: piano; Christian Ramond: double bass; Klaus Kugel: drums, percussion.
At The Plough Stockwell
Tracks: Free Blow Segue / Ann; Just A Matter Of Time; Relative Space / What's That; Whoops A Daisy: Home / What's That.
Personnel: Robert Calvert: saxophones; Jon Corbett: trumpet; Nick Stephens: electric bass; Nigel Moyse: guitar; Martin Holder: guitar; John Stevens: drum.
Colorado At Clinton
Tracks: Devil's Side (for Javier Chavez); Shadows; Wind Streaks In Syrtis Major; Shades Of India; Constellations On The Ground (for Chris Whitley); Dokonori Shīīto.
Personnel: Dennis González: C trumpet, Bb trumpet; Aakash Mittal: alto saxophone; Aaron González: bass; Stefan González: drums;
Personnel: Paul Stapleton: bonsai sound sculpture; Simon Rose: baritone saxophone, alto saxophone.
Tracks: DragonFlys; Cerial Killer Moms; Solitary; The Art Of Poetry; Black Leather & Connies; The Revolution; Flux.
Personnel: Albey Balgochian: bass, vocals; Jane Grenier B.: spoken word.
Beyond The Lines
Tracks: Vogio Una Donna; Celtico; River Spirit; Freak In Freak Out; The Clockwork; Bale Con La Uno; The Judge Says You Are Not Innocent; Days of Old; The Lost Call; The South Song; The Easy Whistler.
Personnel: Personnel: Ratko Zjaca: guitars; Simone Zanchini: accordion; Martin Gjakonovski: bass; Adam Nussbaum: drums.
Tracks: Onnellinen; Shallow Water; I Thank You Jesus; Nighty Night; Francis P; Indian Red; Rain Rain Rain; Meniscus; Wizards; Israfil; Indians; Don't Stand Up; Zubr Dubr.
Personnel: Tom Challenger: saxophone, clarinet; George Crowley: saxophone, clarinet; Dan Nicholls: bass clarinet, saxophone; Rory Simmons: trumpet; Alex Bonney: trumpet; Nathaniel Cross: trombone; Theon Cross: tuba; John Blease: drums, percussion.
Tracks: Part One (Invitation); Part Two; Part Three; Part Four; Part Five; Part Six; Part Seven (slow); Part Seven (medium); Part Seven (fast); Part Eight; Part Nine; Part Ten; Part Eleven; Part Twelve (Universal Mother).
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.