All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
“Boxholder Records” infers that this inaugural outing represents a proposed ongoing collaboration between the somewhat legendary multi-reedman, Sonny Simmons, and the increasingly important saxophonist/flutist, Michael Marcus. Coupled with the fact that bassist, William Parker and drummer, Jay Rosen anchor down the rhythms, the implications are that of a modern jazz/improvising super-group!
The soloists’ launch the proceedings with turbo mode unison choruses on the piece titled, “Quasar,” as Rosen and Parker incorporate African-tinged rhythms into a series of passages that might bespeak sensations of controlled bedlam. Here and throughout, the saxophonists,’ pursue scathing lines atop the rhythm sections’ relentless, polyrhythmic attack.
The band renders a musical caricature of the late, Charles Mingus on “Mingus Mangus,” via sweet tempered lyricism and fervent exchanges, as guest artist, James Carter utilizes his bass sax as a vehicle to spawn unrelenting ferocity. However, with “Beyond The Inner East,” bassoonist, Karen Borca and master tabla performer, Samir Chatterjee alter the tone of the album largely due to a shrewd melding of East Indian grooves and fancy-free improvisation. No doubt, the musicians who comprise The Cosmosamatics aim for the stars amid their sometimes, trancelike impetus and synergistic interplay. Highly recommended.
Track Listing: 1. Quasar 2. Mingus Mangus 3. Near 4. Beyond The Inner East 5. New Line Groove
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.