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Multi-reedman Michael Marcus and alto saxophonist Sonny Simmons have been collaborating since the early '80s. This release signifies the group’s followup to the 2001 date Cosmosamatics. Much like the previous outing, the saxophonists work well together, amid organically tinted sound structures and razor sharp soloing.
Drummer Jay Rosen’s rumbling tom work rides atop bassist Curtis Lundy’s booming ostinato during the jazz waltz etude on “Daughter of Isis.” Here, Marcus overlays bass clarinet and soprano sax lines during a piece featuring Middle Eastern type overtures. Moreover, the saxophonists render a vivacious tribute to the late Eric Dolphy on the aptly titled “Echoes of Eric Dolphy.”
The quartet explores Brazilian motifs and stark soundscapes throughout, while also injecting subliminal doses of romanticism in spots. “Cosmic Curtis” is marked by Simmons’ extended soloing to complement a rather leisurely yet altogether compelling motif. Overall, this is a sound effort, yet perhaps not as persuasive or commanding as the band’s 2001 production.
I love jazz because it's so different than pop and has an emotional pull that other music does not have.
I was first exposed to jazz when I saw Dave Brubeck in 1974.
The first jazz record I bought was Bitches Brew by Miles Davis.