One of my pet theories is that one of the kickstarts for creative indigenous jazz in Europe was the tours undertaken there by Eric Dolphy as a leader (late summer 1961, summer 1964) and with John Coltrane (winter 1961) and Charles Mingus (summer 1964). The passage through the region of such an iconoclastic figure as Dolphy, particularly at these two hypercreative moments for him, must have had some effect on the local musicians who heard or, in some cases, played with him. Those tours were documented and are back in the forefront with a two-disc reissue of a Swedish concert from September 1961.
The ninety-minute performance is a quartet date from Uppsala, just northwest of Stockholm. Joining the leader's alto, bass clarinet, and flute are pianist Ronny Johansson, bassist Kurt Lindgren, and drummer Rune Carlsson. Listeners of European jazz are no doubt aware of the future credentials of the rhythm section, and research shows a handful of sessions by the pianist in the '70s.
The sound quality of the discs is sub-par, lacking the dynamics to allow the listener hear what the pickup rhythm section was doing. But that is of minor concernDolphy is, as always, the main attraction. What sets this disc apart is the material, in both good and bad ways. Good because the unfamiliarity of the group resulted in lots of rare covers played for the only (or almost only) time, such as "Laura (Mercer-Raskin), "52nd Street Theme (the Monk theme appearing twice briefly), "Bag's Groove (Milt Jackson), and "When Lights are Low (Carter-Williams). But this left little room for Dolphy's own compositions; indeed, only "245 is self-penned.
While not the revelation that Blue Note's The Illinois Concert was when it came out, this is good material to supplement the better recorded Berlin Concerts (Enja) or Eric Dolphy in Europe (Prestige). You might hope for a "Miss Ann, "Serene, or "The Prophet, but Dolphy had the Midas touch with any material, and his presence made any group reach for the sublime. He gets the chance to stretch out in Swedenseveral of the tunes well exceed ten minutes, providing fascinating opportunities to hear Dolphy working out ideas and concepts that would bear fruit for him in a couple of years (before his death in 1964) and for Europe a little after that.
Track Listing: What Is This Thing Called Love?; 245; Laura; 52nd Street Theme; Bag's Groove; Out of
Nowhere; I'll Remember April; 52nd Street Theme; When Lights are Low.
Personnel: Eric Dolphy: alto sax, flute, bass clarinet; Rony Johansson: piano; Kurt Lindgren: bass;
Rune Carlsson: drums.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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