382

Uri Caine: The Classical Variations

By

Sign in to view read count
Uri Caine: The Classical Variations The Classical Variations is, in effect, a commemoration of Uri Caine's decade-long series of ambitious and sometimes idiosyncratic explorations of classical repertoire from Bach to Mahler. It combines previously released selections from Caine's Winter & Winter CDs along with unreleased material. A little more than half the material has appeared in previous releases focused on Beethoven, Mozart, Schumann, Wagner and Mahler, while the unreleased, generally recent, material focuses on Bach, Mahler and Verdi.

The selection immediately makes apparent the breadth and scale of Caine's work, drawing on musicians from baroque specialists Quartetto Italiano di Viole da Gamba (for two new Goldberg variations) to turntablist DJ Logic (another new Bach variation) with everything that might be described as in between: classical choirs, gospel singers, poets and post-bop jazz bands. Part of Caine's success comes from his profound understanding of his material, its internal dynamics and elasticity (eg, "The Desdemona Variation" on Verdi's Othello with singer Josefine Lindstrand and a jazz quartet). That may account for the sensitivity and intelligence of much of this music.

What counts for more, though, is Caine's wit and his developed sense of the creative collision. You get it in "Only Love Beauty," in which divergent notions of the spiritual in music arise in the contrasting pitch inflections of Barbara Walker and the Kettwiger Bach Ensemble. It's there too in the rambunctious stride piano of "The Fats Variation," a Waller-esque take on Bach, or in the almost hypothetical account of Mozart's "Turkish Rondo," pushing it into a raw, modal, middle Eastern-flavored group improvisation.

Caine's variations are as apt to restore an original melodic grace as to deconstruct historical context, liberating the music in the exercise of his own freedom. While this is likeliest to serve as an introduction to his varied classical projects, there's enough new material here to appeal to the committed.


Track Listing: Only Love Beauty [after Mahler]; Variation XXXII [after Beethoven, Diabelli Variations]; Variation XXXIII [after Beethoven, Diabelli Variations]; Variation 10 for Fortepiano and Viola da Gamba Quartet [after Bach, Goldberg Variations]; Hr' ich das Liedchen klingen/When I hear the Song [after Schumann, Dichterliebe]; Die Rose, die Lilie, die Taube/The Rose, the Lily, the Dove [after Schumann, Dichterliebe]; Am leuchtenden Sommermorgen/This glowing Summer Morning [after Schumann, Dichterliebe]; The Midnight Variation [after Bach, Goldberg Variations]; The Brass and Drums Variation [after Bach, Goldberg Variations]; Prelude (Tristan und Isolde) [after Wagner]; The Scratch Variation [after Bach, Goldberg Variations]; The Fats Variation [after Bach, Goldberg Variations] Variation for Lute and Clarinet [after Bach, Goldberg Variations]; Urlicht/Primal Light [after Mahler, Symphony N 2 "Resurrection"]; Variation 27 for Lute and Flute [after Bach, Goldberg Variations]; Desdemona's Lament [after Verdi, Otello]; The Organ Variation [after Bach, Goldberg Variations]; Variation 22 for Fortepiano and Viola da Gamba Quartet [after Bach, Goldberg Variations]; Turkish Rondo [after Mozart]; Symphony N 5, Adagietto [after Mahler].

Personnel: Uri Caine: piano; Barbara Walker: vocals; Mark Ledford: vocals; David Moss: vocals; Josefine Lindstrand: vocals; Kettwiger Bach Ensemble: choir; Wolfgang Klsener: conductor; Shulamith Wechter Caine: poet; Julie Patton: poet; David Gilmore: guitar; Nguyn L: guitar; Ralph Alessi: trumpet; Greg Osby: alto saxophone; Dave Binney: soprano saxophone; Josh Roseman: trombone; James Genus: bass; Ralph Peterson: drums; Jim Black: drums; Don Byron: clarinet; Chris Speed: clarinet; Bob Stewart: tuba; Mark Feldman: violin; Joyce Hammann: violin; Erik Friedlander: cello; Drew Gress: bass; Michael Formanek: bass; John Hebert: bass; Dominic Cortese: accordion; Michael Freimuth: lute; Cordula Breuer: soprano recorder; DJ Logic: turntables; DJ Olive: turntables; Concerto Kln: Orchestra; Quartetto Italiano di Viole da Gamba: Orchestra.

Year Released: 2007 | Record Label: Winter & Winter | Style: Beyond Jazz


Shop

More Articles

Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read The Wild CD/LP/Track Review The Wild
by Dan McClenaghan
Published: February 26, 2017
Read This Is Nate Najar CD/LP/Track Review This Is Nate Najar
by Edward Blanco
Published: February 26, 2017
Read Joy Comes Back CD/LP/Track Review Joy Comes Back
by James Nadal
Published: February 26, 2017
Read Apocalypse CD/LP/Track Review Apocalypse
by Julian Derry
Published: February 26, 2017
Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read "In Tokyo, Japan" CD/LP/Track Review In Tokyo, Japan
by Jack Bowers
Published: June 16, 2016
Read "Penumbra" CD/LP/Track Review Penumbra
by Karl Ackermann
Published: January 10, 2017
Read "Rise Of Orion" CD/LP/Track Review Rise Of Orion
by Karl Ackermann
Published: December 15, 2016
Read "The Coyote" CD/LP/Track Review The Coyote
by Mark Sullivan
Published: September 5, 2016
Read "Light Shines In" CD/LP/Track Review Light Shines In
by Glenn Astarita
Published: December 2, 2016
Read "The Angel and the Brute Sing Songs of Rapture" CD/LP/Track Review The Angel and the Brute Sing Songs of Rapture
by Karl Ackermann
Published: February 25, 2017

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!