It's a strange but true story: how a French woman schoolteacher, reared on classical music and Gallic chansons, came to play a major role in reviving the fortunes of Chicago blues in the 1970s.
Marcelle Chailleux was introduced to the blues by Jacques Morgantini, a founder member of the Hot Club de France.
Jacques played her his 78 rpm record of Muddy Waters singing "Honey Bee" and Marcelle was hooked"I didn't know it was possible to get so much emotion from music," she said. Then, to thank Jacques properly for his trouble, she married him.
In 1975, worried that blues in the Windy City wasn't being properly documented, Marcelle set up a record company, MCMthe initials of her married namethen flew to Chicago, where she recorded such lynchpins of the idiom as Eddie Taylor, Big Voice Odom, Jimmy Johnson, John Littlejohn, Magic Slim, The Aces, and Jimmy "Fast Fingers" Dawkins in legendary clubs such as Big Duke's, Ma Bea's and The Golden Slipper.
Marcelle would arrive with her trusty Nagra IV S tape recorder early in the evening before things got too rambunctious.
After her death at the age of 82 in 2007, the rights to Marcelle's marvellously atmospheric recordings were bought by the Danish label Storyville.
The Chicago Blues Box 2 is the latest reissue of Marcelle's work: a mind-blowing set of eight CDs along with a richly illustrated booklet of reminiscences by Jacques Morgantini.
CD1 features a set by Eddie "Playboy" Taylor, who wedded the Mississippi Delta tradition of guitar with the shuffle style of the Windy City. They say he taught Jimmy Reed how to play.
There follow numbers by Big Mojo Elem, Andrew "Blueblood" McMahon, who revives Lightnin' Hopkins "Mojo Hand" and the appropriately named Big Voice Odom who tackles Muddy Waters' "Got My Mojo Working."
On CD2 that solid, no frills bluesman Hip Lankchan breezes effortlessly through a program of covers, followed by Eddie Clearwater, with four numbers that include puzzlingly a track listed as "Poison Ivy," which turns out to have nothing whatsoever to do with the old Coasters' crossover hit.
Still more puzzling: the listed inclusion on CD3 by Jimmy Dawkins of Bobby Gentry's classic country number "Ode To Billie Joe." It's actually an unrelated instrumental blues.
While we're being picky, how come two pages of ugly, garbled filler text got left in the booklet? Scarcely the best value for money for hard-pressed blues fans couldn't someone have found appropriate photos to fill the space?
But let's return to "Fast Fingers" Dawkins. He became a firm friend of the Morgantinis, visiting them at their home in Pau, France, where he sampled Marcelle's cooking and, satiated, wrote the instrumental boogie "Marcelle Morgantini's Cassoulet" in tribute.
Marcelle discovered Jimmy Johnson playing back-up guitar for Dawkins and recorded him in his own right for the first time. On CD4 he pays a moving tribute to his mentor during a live show, calling on her to take a bow.
CD5 is given over to John Littlejohn, real name John Funchess, from Gary, Indiana. He was a friend of Joe Jackson, patriarch of the Jackson family, which is how his band came to be used in rehearsals by the Jackson Five in the 1960s.
Magic Slimreal name Morris Holtwas an amiable gap-toothed giant of a man. Marcelle's 1976 recording of Born On (sic) A Bad Sign lifted his career from the doldrums. On CD6 he's backed by his regular team, Alabama Junior Pettis (guitar) and Slim's brothers Nick Holt (bass) and Douglas Holt (drums).
CD7 is a rollicking rhythm and blues gem, starring The Aces: Louis Myers (guitar), his brother, Dave Myers (bass) and the irrepressible Freddie Belowanother great friend of Marcelle and Jacqueson drums. It features some sterling work by Bobby King on guitar.
To be picky again, "Kansas City" is listed as having been written by the interestingly named Little Willie Littlefield when in fact it was penned by white hepcats Jerry Leiber and Mike Stoller. The song was first recorded by Littlefield.
The Aces perform Bill Doggett's massive crossover hit "Honky Tonk" along with numbers by Elmore James, B.B. King, Ma Rainey ("C. C. Rider") and Robert Johnson ("Sweet Home Chicago"what else?).
The last CD in this extraordinary collection is by Willie Kent, a talented singer and guitarist who only became a professional musician when he passed 50 and open-heart surgery curtailed his day job as a truck driver. Music had always been Kent's main interest in life. As a boy he would follow Elmore James from gig to gig absorbing his style. Marcelle's recording of him includes a fine, reverent version of the James' classic "Dust My Broom."
And that's it: a marvellous collection, and a fitting memorial to the remarkable Marcelle Morgantini.
CD1: Opening – Fred Below and Eddie Taylor; Red Light; Big Town Playboy; Blow Wind Blow; Down In Virginia; Lucky Lou; Tell Me Mama; Talk To Your Daughter; Hide Away; Be My Little Girl; Red Light; Mojo Hand; Got My Mojo Working; Dry Land No. 2; Where Are You Gone; The Thrill Is Gone. CD2: You Left Me With A Broken Heart; I’m On My Way; Last Night; All Your Love; I Don’t Want No Woman; Black Nights; Sombody Loan Me A Dime; Same Old Blues; Why I Sing The Blues; Everyday I Have The Blues; You Don’t Have To Go; Poison Ivy (sic); My Babe. CD3: Way She Walks; Rock Me Baby; I Wonder Why; Cold Sweet Blues; Driving Wheel; Will My Baby Be Home Tonight; Big Duke’s; Hard Road To Travel; J.D’s Jam; Nature Ball; Pretty Woman; Ode To Billie Joe (sic). CD4: Long About Midnight; Strange Thing Happening; Look On Yonder Wall; I’m Crazy About You Baby; Breaking Up Somebody’s Home; Sweet Little Angel; Three Times Chicago; Midnight Hour; My Own Fault; Get Ready Here I Come; Same Old Blues; So Many Roads No.2; As The Years Go Passing By. CD5: Dust My Broom; Rob And Steal; Five Long Years; Kiddeo; That’s All Right; I Can’t Stay Here; Bobby’s Rock; Twenty Nine Ways; So Glad You’re Mine; All I Want; Dream No.2; All Your Love; Sunny Road. CD6: Buddy Buddy Friend; You Upset Me Baby; Born Down The Bridge; Rock Me Baby; Tell Me Baby; Jumpin’ At Ma Bea’s; I Don’t Got Over; Tramp; Josephine’s; As The Years Go Passing By; Everything Gonna Be Alright; Mary Lou. CD7: Rock Me Baby; You’re The One; Baby What You Want Me To Do; Someday Baby; Off The Wall; Bobby’s Rock; Kansas City; Honky Tonk; Don’t Throw Your Love On Me; C.C. Rider; Sweet Home Chicago; Hide Away; Tribute To Little Walter; The Aces’ Shuffle; Blues With A Feeling; Honky Tonk No.2. CD8: I’m Not The Same Person; Ghetto; Dust My Broom; I Wonder Why; You Don’t Love Me; Chili Con Carne; Blue Guitar; Bobby’s Rock; Sweet Home Chicago; Tell Him He Got To Go; Chicken Shack; 19 Years Old No.2; I Love The Woman; You Know I Love You.
Eddie Taylor, Jimmy Dawkins, Jimmy Johnson, Magic Slim, Hip Lankchan, Eddie Clearwater, John Littlejohn, Louis Myers: guitar, vocals; Lacy Gibson, Luther Alison, Richard Kirch, Willie James Lyons, Wayne Bennett, Dan Hoeplinger, Jimmy Miller, David Matthews, Larry Burton, Bobby King, Alabama Junior Pettis, Joe Carter, Big Guitar Red, Luther Johnson Junior: guitar; Big Moose Walker, Sid Wingfield, Lafayette Leake: piano; Big Mojo Elem, Willie Kent: bass, vocals; Sylvester Boines, Hayes Ware, Dave Myers, Jim Campbell, Ernest Gatewood, Ike Anderson, Aaron Burton, Nick Holt: bass; Freddie Below: drums, vocal; Odie Payne, Tyrone Centuray, Donald Robertson, Douglas Holt, Dino Neal, Candy Utah: drums; Andrew “Blue Blood” McMahon, Big Voice Odom, Johnny Drummer: vocals.
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.
Get more of a good thing
Our weekly newsletter highlights our top stories and includes your local jazz events calendar.