280

Nick Hempton: The Business

Bruce Lindsay By

Sign in to view read count
Nick Hempton: The Business
Saxophonist Nick Hempton's decision to call his second album The Business might be a comment on the commercial nature of jazz, or it might be a rather hubristic statement about the nature of his own music. Big, fat grooves, a real sense of swing, strong melodies and even stronger rhythms suggest that Hempton is right to name this album The Business on both counts: because this is a high-quality collection of straight-ahead jazz with an immediate accessibility.

Hempton, originally from Australia and now resident in New York, formed his band in 2005. The quartet appeared on his debut recording, the self-produced Nick Hempton Band (2009). Now signed to Posi-Tone, the original lineup is back for this second album's collection of Hempton originals plus two fascinating covers.

Hempton is equally adept on alto and tenor saxophones. On alto, his tone is dry and crisp, lending itself well to up-tempo, swinging numbers like "Flapjacks In Belo" or the slinky "Press One For Bupkis." His tone is somewhat warmer and more rounded on tenor, giving a smoky, late-night sound to the band's bluesy take on Don Redman's "Gee Baby, Ain't I Good To You."

Six years working together ensures that the band is tight and cohesive. Bassist Marco Panascia and drummer Dan Aran form a solid rhythmic foundation, and both display invention in their soloing. Guest guitarist Yotam Silberstein is used sparingly but to good effect, bringing a lightness of touch to his solo on "Cold Spring Fever" and joining Hempton in some fluid unison playing on "Carry On Up The Blues." Pianist Art Hirahara is also an effective rhythm player, adding some understated lines to underpin Hempton's lead playing. When Hirahara gets the chance to solo he shows himself to have a similar lightness and fluidity of his own, his solo on "Not Here For A Haircut" precise but swinging.

While the band's style is generally straight-ahead, blues is at the core of much of the music, lending it an emotional connection that's not always present in the contemporary mainstream. The Business is commercial, but not at the expense of the music's heart.

Track Listing

Flapjacks In Belo; Art Is In The Groove; Gee Baby, Ain't I Good To You; Press One For Bupkis; From Bechet, Byas, And Fats; Encounter At E; Cold Spring Fever; Not Here For A Haircut; The Wading Game; Carry On Up The Blues.

Personnel

Nick Hempton: saxophones; Art Hirahara: piano; Marco Panascia: bass; Dan Aran: drums; Yotam Silberstein: guitar (2, 7, 10).

Album information

Title: The Business | Year Released: 2011 | Record Label: Posi-Tone Records

Post a comment about this album

Watch

Tags

Shop Amazon

More

Read Data Lords
Data Lords
Maria Schneider Orchestra
Read In Igma
In Igma
Pedro Melo Alves
Read Blood Moon
Blood Moon
Ingrid Laubrock + Kris Davis
Read Inland Empire
Inland Empire
Fredrik Ljungkvist - Kris Davis - Ole Morten Vågan - Øyvind Skarbø
Read PaNOptic
PaNOptic
Rudy Royston
Read Valentine
Valentine
Bill Frisell
Read Triangulate the Landscape
Triangulate the Landscape
Drew Wesely/Kenneth Jimenez/Francisco Mela

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.