If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
If industry and our modern industrial climate has created what sociologists call the "modern primitive, then British saxophonist John Butcher is certainly one of today's original men. His saxophone style has unique originality, that's for sure. It is as if he could have picked up a bicycle or a carp and proceeded to use them to communicate with us. It just so happens that he plays the saxophone.
Like his frequent partner Axel Dörner (trumpet), Butcher tends to never sound anything like the horn he puts to his lips. At first he explores extended techniques, then he soon gives way to electronic manipulation. Paired with the Vienna-based electronics musician Christoff Kurzmann, Butcher spreads out his sounds here, possibly responding to Kurzmann's manipulation or using them as a means to engage his Lloopp accomplice.
The opening "Aume is a meditation on the minimalism of breath and touch, with a constant current of nervous energy propelling your ears. "Bee Space pares things down further to an almost acoustic feel, before samples overlap and we understand the echoes of manipulations. The eerie science fiction of "Schilling, as opposed to the spooky feel of "Shilling (check the spelling), could be a partial soundtrack to a 1970's low budget space movie. (On the other hand, "Shilling has the feel of a stalker movie soundtrack.)
But then again, I could be wrong.
The sounds created by Butcher and Kurzmann allow for flights of the imagination, as opposed to meditation.
I love jazz because of its ability to evoke such tremendous emotion... primarily joy!
I was first exposed to jazz by my grandparents.
The first jazz record I bought was Jim Beard's Song of the Sun or maybe Steely Dan's Aja.
My advice to new listeners: remain varied in your listening habits, and of course keep listening, keep listening, keep listening!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!