All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Remember WAR, the old rock and funk group? Remember their killer harmonica player? That's right: it was Lee Oskar. Lesser known outside WAR, Lee released a passel of first-rate Seventies-funk solo albums. This Best Of collection culls the best cuts from those albums. They are uniformly funky and distinguished by the Danish-born Oskar's distinctively straightforward, refreshingly original harmonica playing. Oskar is not a blues harmonica player, and his playing is not laden with the clichés that dog all too many harpists.
Just moments into this album it becomes clear that Oskar was responsible for much of WAR's distinctive sound. His harmonica sounds almost hornlike at times, notably on "Sunshine Keri," and always retains a smooth, sharply focused hornlike quality.
While several of these tracks sound a bit dated, owing chiefly to the vocals and some sound-effect bird-chirping water-lapping (etc. etc.) leadins ("San Francisco Bay" is a particularly egregious example), the music is as coolly loose-limbed and exuberant as ever. Harmonica fans should check this one out, for Lee Oskar's sound on the instrument is sadly underrepresented in music today.
Jazz is a creative explosion of individual freedom and communication.
I was first exposed to jazz when I was a kid. My father had a music store.
The best live performance I ever attended was Kenny Garrett in Harlem, New York.
The first jazz record I bought was Saxophone Colossus by Sonny Rollins.
My advice to new listeners is keep listening!