Stylistically, The Auction Project is slightly out-of-focus. It is ostensibly the meeting of Arturo O'Farrill's Irish-Latin roots at the corner of David Bixler and Heather Martin Bixler. However, there is much to endorse the music made here, not the least of which is the presence of the two Chico O'Farrill big band alumni. Bixler's "Heptagonesque" is the successful culmination of this Hispano-Celtic experiment, with its curious Middle Eastern flavor. Is it the curry? No, it's the violin.
Marked by a serpentine head introducing the piece, by the time O'Farrill begins soloing the tune has devolved into some impressive progressive jazz, perfectly captured in O'Farrill's 88 keys. There are several time shifts in the piece, with Bixler's solo backed by a lopping, sideways 4/4. The only real hint of the Celtic connection is Heather Bixler's sharp fiddle, but it is that same fiddle providing the landscape of both Limerick and Istanbul. This is forward-thinking music a little ahead of its time.
Personnel: David Bixler: alto saxophone; Arturo O'Farrill: piano; Heather Martin
Bixler: violin; Carlo Derosa: bass; Vince Cherico: drums; Roland
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.