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Terence Blanchard: Music, Social Justice and Raising Awareness About Violence Against Black People

Christine Passarella By

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A few years ago, I was applauding as the cast of Motown was taking their bows on Broadway when I recognized a mother's face sitting across my row. Without question or trepidation, I felt compelled to say something, hopefully comforting, to Sybrina Fulton, the mother of Trayvon Martin. In addition to my heartfelt condolences for the tragic violent death of her son, I told her about my Kids for Coltrane work, and she smiled with warmth and an appreciation hearing my work brought children together to think critically inspired by the legacy of John Coltrane. Her face and the emotional energy from that chance meeting stirs me to this day.

With a heavy heart, I struggle with the knowledge that there are mothers and fathers who lost children to senseless horrific racism. It is a fact Sybrina Fulton has dedicated herself to keeping her son's name alive, in so doing his tragic loss was not in vain. She must wake every day with the hole that burns in her heart from the unimaginable injustice which took her son away from her and ended a precious life that should have lived fully and completely. "Rest in Power Trayvon, it makes no sense to get angry or mad and do nothing. Get angry, get mad and get to work." Sybrina

When I listen to Grammy Award winner, internationally renowned jazz trumpeter, and composer Terence Blanchard I hear the human heart, I hear nature, I hear God's divinity speaking through humanity. He is on a Coltranian journey which I define as a life guided by a loving purpose. His sound brings joy, celebration, tenderness, and in his latest albums, there is no doubt I can hear crying which comes from the sorrow of injustice and devastation from the murder of unarmed black people. I hear him wrestle with the pain of the senseless loss of Trayvon Martin, Tamir Rice, Philando Castile, Eric Garner, Sandra Bland and police officers killed in tragic violence.

The music creates the continued cries that wail, this must stop! I hear the essence of Dr. Martin Luther King, Jr. and Malcolm X who continue to teach us all by their example. And I hear the heavy heart of Terence Blanchard asking why this way of life continues in which people only see their truth, instead of embracing the responsibility of all citizens to understand each other's truths, to bridge all the gaps to form one nation under God, indivisible with liberty and justice for all, and reaching further across the entire globe.

In Terence you know you are speaking to a man who loves all people and his empathy comes right out of the horn. Coltrane said, if you live the truth it will indeed come out of your horn. For Coltrane, it was the saxophone and for Terence, it is his trumpet. But he does not do it alone, as he leads his most recent band, the E-Collective. Terence Blanchard has created socially conscious music with his bandmates. In his albums Live, Breathless, and Choices he leads the way as a force for good in the battle against evil and leads the way with an angelic command for kindness to flourish. Accompanied by his exemplary bandmates he courageously and willingly carries the cross in a hope that people examine their biases. The E-Collective includes guitarist Charles Altura, bassist David Ginyard, keyboardist Fabian Almazan and drummer Oscar Seaton.

Terence is also encouraged by John Coltrane's example and message. He found himself deeply moved by John Coltrane's A Love Supreme when in high school. Highly valuing the chant-like quality in John's amazing music, he knew the saxophonist played in tune with what was happening in the universe. Music for Trane was about making a statement according to Terence. The first time he heard Coltrane's masterpiece "Alabama" he was stopped in his tracks, and he said it made him cry like a baby. The song will never let us forget the deaths of Denise McNair, Carole Robertson, Cynthia Wesley, Addie Mae Collins, who are the precious children killed in 1963 by members of the Ku Klux Klan, at the 16th Street Baptist Church bombing in Birmingham. Coltrane's song "Alabama" also helps us heal, and remember so we continue the conversation to bring change through hope and action.

In 1966 in an interview with jazz writer and historian Frank Kofsky, John Coltrane responds to this question on social issues, "Do you find in your own groups or among musicians you're friendly with that these issues are important and that you do talk about them?" Trane states, "Oh, they're definitely important; and as I said, the issues are part of what is at this time. So naturally, as musicians, we express whatever is." John also tells Kofsky that listening to the music is an action in which people can be affected. "It seems to me that the audience in listening, is in an act of participation, you know. And when you know that somebody maybe moved the same way you are, to such a degree or approaching the degree, it's just like having another member of the group." Coltrane continues," I think music is an instrument. It can create the initial thought patterns that can change the thinking of people." Terence is a musician with the same essence as Trane doing what he was born to do with Amazing Grace. I see them as leaders who can help bring out the best in us. John also stated, "Good can only bring good." I am sure Terence Blanchard would agree.

When starting my interview with Terence I reminded him that I met him before. A few years ago, I walked into the Blue Note Jazz club in New York City to hear him perform which I found formidable with a purifying sense of being touched by honesty through music. That evening, I heard the recorded voice of Dr. Cornel West loudly floating through the club through the speakers as Terence matched up his music with Dr. West's ability to say what the heart feels in his song "Choices." I attended the show with Dr. West and did not have a warning that this moment was about to occur, quite a memorable experience for me.

The fact is Terence was so profoundly impacted by Dr. West's philosophical body of work he included his spoken word on three albums. The words come directly from a Princeton University conversation in which Blanchard and West sat down together to dig into the meaning of life and death. Sharing what it means to be black in America, what it means to love, and what it means to try to be forces for good when there are also evil forces in the world. The music goes deep into coming to terms with understanding more and more what choices we make will define our character. The conversation between these two leaders impacted both of them, and for Terence the existential questions West posed are through lines. Dr. West speaks of the master musician with great respect. "Terence is a great figure in jazz and contemporary music. He is the real thing at the deepest level." West linguistically asks, while Blanchard musically asks, "What kind of human being are you going to be?"
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