Tedeschi Trucks Band: Denver, CO, November 18, 2011

Geoff Anderson By

Sign in to view read count
Tedeschi Trucks Band
Fillmore Auditorium
Denver, CO
November 18, 2011

Fate demanded the Tedeschi Trucks Band. It's been an inexorable march over the last decade and now it's paid off.

Susan Tedeschi released her first album, Just Won't Burn (Tone Cool, 1998) 13 years ago. She sported girl-next-door good looks and a contrasting take-no-prisoners voice. Over the years she released four more albums under her name. Derek Trucks, meanwhile, became co-lead guitarist in the Allman Brothers Band in 1999, after jamming with the band starting at age 12. He landed those gigs with his child-prodigy talent and the fact that his uncle is Butch Trucks, an original drummer with the Allman Brothers. Since the Allman Brothers Band is really only a part-time gig, he formed the Derek Trucks Band in 2002. Tedeschi and Trucks first met during an Allman Brothers tour in 1999 and married in 2001. Since that time they've appeared on each other's albums and toured together, with Tedeschi joining the Allman Brothers in concert for a few tunes many nights. She's known for standing between Trucks and Warren Haynes on stage, fearlessly strapping on a guitar and going toe-to-toe with two of the best blues/rock guitarists on the scene today. The Tedeschi Trucks Band was inevitable. The only question is why it took so long.

Friday night at the Fillmore in Denver, the band deployed eleven band members: bass, keyboards, two drummers, two backing vocalists, three horns, Tedeschi on vocals and guitar, and Trucks on guitar. The band sounded like a soulful version of the Allman Brothers with a horn section, some rippin' female vocals and sweet harmonies. The similarity goes far beyond the mere fact that Trucks is in both bands. Bassist Oteil Burbidge is in both bands as well, and like the Allman Brothers, the family connection is strong with Burbidge's brother Kofi playing keyboards in TTB. With his long blonde ponytail, Trucks himself looks a little like Gregg Allman from a couple decades ago.

As befits the band's name and their talents, Tedeschi and Trucks were the focal point of the band, with Tedeschi front-and-center and Trucks slightly to the left. Although the band left plenty of space for instrumental breaks, the songs had vocals that kept the spotlight on Tedeschi most of the time. She usually had a Telecaster or Les Paul strapped on while she played rhythm, but stepped out for several solos. Trucks, of course, handled most of the guitar solos and more often than not, played slide with an almost machine-like precision. He didn't use a pick, but instead appeared to use most or all of the fingers on his right hand, building many of his solos to dramatic climaxes that started so quietly, he could barely be heard above the ambient Fillmore din. Several minutes later, the volume was at the other end of the spectrum, as the anguished cries furiously leapt from his guitar.

Tedeschi's vocal style was occasionally sweet and pure on the ballads, but more often took on an earthier, down-and-dirty quality perfectly suited for the blues. A highlight was the slow blues cooker "That Did It," in which she detailed all the stupid and selfish stunts pulled by her ex-lover. The singer poured out her pain with such force and agonizing detail that by the end of the tune, about half of the male members of the audience were ready to go find the son of a gun that done her wrong and school him on how to treat a woman right. Apparently she wasn't singing about Trucks—they got along much better; at one point trading licks and although they never played the kind of twin guitar lines made famous by the Allman Brothers, it still gave new meaning to the phrase "marital harmony."

Being an 11-piece band allowed for plenty of opportunity to mix and match musicians and soloists. The Burbidge brothers got together for some bass/keyboard interludes, featuring interplay by two musicians who knew exactly what the other was doing and where he was going. All the horns had a chance to solo once or twice throughout the evening, and the drums had a turn toward the end of the evening. All the different soloists kept the sound consistently fresh.


Related Video

comments powered by Disqus

More Articles

Read Redwood City Salsa Festival 2017 Live Reviews Redwood City Salsa Festival 2017
by Walter Atkins
Published: October 17, 2017
Read AJAZZGO Festival in Cali, Colombia Live Reviews AJAZZGO Festival in Cali, Colombia
by Mark Holston
Published: October 13, 2017
Read CEO Experiment With Kurt Rosenwinkel at The Sugar Club Live Reviews CEO Experiment With Kurt Rosenwinkel at The Sugar Club
by Ian Patterson
Published: October 11, 2017
Read "Mark Hagan's Jazz Salon At The Old 76 House" Live Reviews Mark Hagan's Jazz Salon At The Old 76 House
by David A. Orthmann
Published: April 27, 2017
Read "Erik Friedlander At National Concert Hall, Dublin" Live Reviews Erik Friedlander At National Concert Hall, Dublin
by Ian Patterson
Published: February 8, 2017
Read "Joseph Leighton Trio at Jazzhole" Live Reviews Joseph Leighton Trio at Jazzhole
by Ian Patterson
Published: July 4, 2017
Read "Jazzahead! 2017" Live Reviews Jazzahead! 2017
by Henning Bolte
Published: May 11, 2017
Read "Like A Jazz Machine 2017" Live Reviews Like A Jazz Machine 2017
by Ian Patterson
Published: June 4, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.