All About Jazz

Home » Articles » Highly Opinionated

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

1,285

Tcha Limberger: Gypsy In The Footsteps Of Bela Bartok

Raul d'Gama Rose By

Sign in to view read count
Limberger's modesty is typical. Actually he immediately forges a relationship with the legendary Neti Sandor, who actually stopped him on a road one day, because he "thought I might be a Gypsy." That night Limberger and Sandor got together to jam and they played until dawn. It was then that they paid him the ultimate compliment, referring to him as "Lakatos Sandor," a name that seems to have stuck with him forever now. But from the early part of the 21st Century Limberger began to immerse himself in this music, playing with Neti Sandor until his untimely demise in 2006.

He also learned that over the centuries of this music's existence the lines between Hungarian, Romanian and Gypsy has blurred. He often found that slow Hungarian tunes could be turned into quick Gypsy dances and a Hungarian czardas into a Gypsy lament. Although he finds the purity of the folk melody that Bartók sought, Limberger finds a much enriched source today that is pure in its folklore, but enriched with the passage of time and the mingling of all the cultures that came to be colored by the influence of the magical wand of the violin that the Gypsy virtuosos seemed to have waved over it for centuries. And it all happened in the Kalotaszegi, Carpathian region of where Hungary, Romania, Slovakia and Bulgaria meet.

Here he also met Neti Sandor's accompanists, the great bassist, Berki Viktor and the bracs player, Toni Rudi. After some itinerant traveling and deep study, immersing himself into the soul of the region. "What I like very much about the music of Kalotaszeg, is that it is a mixture of two cultures, very well mixed as if they would always have lived in peace next to each other," Limberger proclaims. "These were songs traveling around the country... ornamentations [that could have been] Hungarian, Jewish, Gypsy or Romanian. If I fell in love with the music of Kalotaszeg, this is, of course, because of the beauty of the country, the pure air and the warm hearted people all around, things I can hear through the music." The music beckons Limberger even when he was not there in Kalotaszeg. "It is as if it were a kind of home-sickness," he says, "It even helped me, indirectly, but surely, in my research and struggle to learn and play Magyar Nota."

What Tcha Limberger has given back to the music that seduced him fifteen, maybe twenty years ago is an album of utter genius, memorable and quite permanent. A Hajnali Csillag Ragyog (lejazzetal, 2010) is a triumph like few recorded documents in the history of the music of our times. The title of the album translates, very much the soul of the project as it awakens the region with the magnificent purity of its sound: "The Morning Star is Shining." A collection of eight masterpieces—laments, czardas and Szaporas (the latter two, traditional folklore dances gloriously performed by the Gypsies of the Transylvanian region of Kalotaszeg.

Tcha Limberger's playing here is at its peak. His bow strokes are relaxed—almost as if there were no bow at all and it was really his arm whipping and swirling the air around the violin to create the music out of thin air. He makes notes weep and wail, then dance interminably as the strings get more animated. When telling an autobiographical story of the "bad guy" in the village, in "En Vagyok a Falu Rossza," his playing is rapid, darkly colored and delightfully roguish. Ever the griot of the village, he extols the architectural beauty of the local church and its floral surroundings with chorus after grand chorus. On and on he plays, seemingly like an ancient Gilgamesh en route to and reaching out to a sort of Holy Grail, willing himself with unabashed love for the prize. The notes—his, Berki Viktor's deeper ones, and the broad glissandos of Toni Rudi's bracs —ascend upward like thick clouds of emotion as the music pirouettes into thin air dancing... then vanishing into the blue. The record is memorable.

"My aim," Limberger said, "by playing this Kalotaszegi music is absolutely not to change it. I was very honored when Viktor asked me to play and to take them to Belgium on a tour. Some day, after a long gig, with a glass of palinka (homemade plum brandy), Rudi told me, according to him my tone is very similar to Neti (Sandor's). He said, since Sandor died (in 2006), I am the primas whom he prefers to play the slow "lamentos" with. He was very emotional about it and for a foreigner primas it was the biggest compliment."

This was a moment to cherish. So was the violin of Tcha Limberger, soaring above the sadness of Neti's death: Bartók with Wings...

Credits: I owe a great debt to Marie-Lourdes Saldanha, my aunt and first great teacher at Trinity College of Music, London. She first fired my imagination about so many of the great composers—including Bela Bartók and Zoltan Kodaly.

Tags

Related Video

comments powered by Disqus

Related Articles

Read Who Needs Monk? Highly Opinionated
Who Needs Monk?
by Patrick Burnette
Published: December 13, 2017
Read Jazz Karaoke anyone? Highly Opinionated
Jazz Karaoke anyone?
by David Hadley Ray
Published: August 3, 2017
Read Dusseldorf Rally: Jazz's Best Kept Secret? Highly Opinionated
Dusseldorf Rally: Jazz's Best Kept Secret?
by Phillip Woolever
Published: May 16, 2016
Read The New Orleans All-Star Brass Band: Do You Know What It Means? Highly Opinionated
The New Orleans All-Star Brass Band: Do You Know What It...
by Ian Patterson
Published: September 2, 2015
Read Sing a Mean Tune, Kid: Chicago for people who hate Chicago Highly Opinionated
Sing a Mean Tune, Kid: Chicago for people who hate Chicago
by Mark Lempke
Published: June 7, 2014
Read Sacred Cows, Led Zeppelin and Does the Song Remain the Same? Highly Opinionated
Sacred Cows, Led Zeppelin and Does the Song Remain the Same?
by C. Michael Bailey
Published: April 20, 2013
Read "Jazz Karaoke anyone?" Highly Opinionated Jazz Karaoke anyone?
by David Hadley Ray
Published: August 3, 2017
Read "Who Needs Monk?" Highly Opinionated Who Needs Monk?
by Patrick Burnette
Published: December 13, 2017
Read "The Christian McBride Trio at the Tin Pan" In Pictures The Christian McBride Trio at the Tin Pan
by Mark Robbins
Published: December 17, 2017
Read "Steely Dan's Jon Herington and Jim Beard" Catching Up With Steely Dan's Jon Herington and Jim Beard
by Mike Jacobs
Published: July 6, 2017
Read "Frank Woeste: Reversing Ravel" Catching Up With Frank Woeste: Reversing Ravel
by Ludovico Granvassu
Published: February 7, 2018
Read "Nels and Alex Cline at The Jazz Bakery" Live Reviews Nels and Alex Cline at The Jazz Bakery
by Jonathan Manning
Published: January 22, 2018
Read "Temple University Jazz Band at The Appel Room" Live Reviews Temple University Jazz Band at The Appel Room
by Tyran Grillo
Published: February 1, 2018