197

Jackie Allen: Tangled

Samuel Chell By

Sign in to view read count
Jackie Allen: Tangled It's certainly a highly-competitive field, but among female jazz vocalists, Jackie Allen rises to the top in the Midwest/Chicago area. Her move to a major label on this, her debut for Blue Note, is well-deserved, assuring her of top-notch production values as well as assistance with promotion and distribution. And apparently she remains free to choose what she wants to sing.

This is Allen's eighth recording project, and for various artistic and commercial reasons she's been moving closer to the pop mainstream with each new album. There are some jazz influences—the inclusion of two Rodgers and Hart standards, a Johnny Mandell gem, and one tune with a fairly "straight-ahead" jazz feel: Donald Fagen's "Do Wrong Shoes." Otherwise, the present collection qualifies as eclectic and genre-resistant. Besides the jazz traces, there's plenty of contemporary pop, some exotic Brazilian rhythms, undeniable folk/ country echoes, and a bit of light rock. Allen's attraction to the sound of acoustic guitar appears to be influencing her direction in the past 5-10 years, taking her further away from the American Songbook, jazz standards, and hip swinging interpretations.

Rodgers and Hart's "You're Nearer" receives an open and honest reading with plainer, simpler chordal textures than those of, say, Shirley Horn's performance (Here's To Life, Verve, 1992)—but with Allen's unmistakable sincerity and disarming vocal quality, it would work in any setting. The real "misfire" is the same composing team's delightfully mordant "Everything I've Got Belongs to You," which requires a two- faced, innocent/dangerous femme fatale persona like Blossom Dearie's (not the cold-blooded sadist of Allen's chilling, deadly earnest reading) as well as listeners who don't have a tin ear for irony (admittedly harder to find these days).

The Islamic prohibitions against the inappropriate use of God's name may make more sense after hearing the opener, Van Morrison's "When Will I Ever Learn." Notwithstanding fans of contemporary Christian pop, the invocation of divinity works only with Berlin's "God Bless America" (thank God Irving didn't title it "God Blesses America," or it, too, would belong on the prohibited list). The program's highlight is Allen's performance of Johnny Mandell's compelling "Solitary Moon," taken in a lilting and evocative 6/8. (Hopefully someone has called the vocalist's attention to the same composer's scandalously under-recorded ballad, "The Shining Sea," with lyrics by Peggy Lee, whose reference to "brown hands" usually gets self-censored.)

The examples of singers like Tierney Sutton and Karrin Allyson demonstrate that going it as a female jazz singer these days is grueling (for one thing, try finding and keeping fully employed a piano trio) but not impossible. Hearing Jackie Allen do "Spain" (Men in My Life ), moreover, is enough to make you believe she'd have a good shot, providing the desire, perseverance, and energy are still there. The evidence on this recording, especially "Solitary Moon," attests to the enduring presence of her talent—as well as that intimate, inimitable vocal quality, more glowing, vibrant and inviting than ever.


Track Listing: When Will I Ever Learn; Coal Grey Eye; You're Nearer ; If I Had; Tangled; Slip; You'll Never Learn; Everything I've Got Belongs To You; Hot Stone Soup; Do Wrong Shoe; Solitary Moon; Living Without You.

Personnel: Jackie Allen: vocals, backup vocals; Laurence Hobgood: piano and Fender Rhodes; Ben Lewis: organ and Fender Rhodes; John Molder: guitar; Hans Sturm: bass; Orbert Davis: trumpet; Steve Eisen: flute, tenor sax; Yvonne Gage: backup vocals; Suzanne Palmer: backup vocals; Sue Conway: backup vocals; Eric Hochberg: backup vocals.

Year Released: 2006 | Record Label: Blue Note Records | Style: Vocal


Shop

Take Five With...
CD/LP/Track Review
Read more articles
Sara Gazarek Sara Gazarek
vocalist
Dakota Staton Dakota Staton
vocalist
Tierney Sutton Tierney Sutton
vocalist
Jacintha Jacintha
vocalist
Norah Jones Norah Jones
piano
Eden Atwood Eden Atwood
vocalist
Karrin Allyson Karrin Allyson
vocalist
Annie Ross Annie Ross
vocalist
Chris Connor Chris Connor
vocalist
Nnenna Freelon Nnenna Freelon
vocalist
Lee Wiley Lee Wiley
vocalist

More Articles

Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read The Wild CD/LP/Track Review The Wild
by Dan McClenaghan
Published: February 26, 2017
Read This Is Nate Najar CD/LP/Track Review This Is Nate Najar
by Edward Blanco
Published: February 26, 2017
Read Joy Comes Back CD/LP/Track Review Joy Comes Back
by James Nadal
Published: February 26, 2017
Read Apocalypse CD/LP/Track Review Apocalypse
by Julian Derry
Published: February 26, 2017
Read The Sound of Surprise: Live at the Side Door CD/LP/Track Review The Sound of Surprise: Live at the Side Door
by Edward Blanco
Published: February 25, 2017
Read "Enter the PlusTet" CD/LP/Track Review Enter the PlusTet
by Troy Collins
Published: October 23, 2016
Read "Blue Canvas" CD/LP/Track Review Blue Canvas
by Dan Bilawsky
Published: January 4, 2017
Read "Mo' Puddin'" CD/LP/Track Review Mo' Puddin'
by Edward Blanco
Published: May 24, 2016
Read "Come Together" CD/LP/Track Review Come Together
by James Nadal
Published: May 27, 2016
Read "Wise After The Event - Deluxe Edition" CD/LP/Track Review Wise After The Event - Deluxe Edition
by Glenn Astarita
Published: April 23, 2016
Read "Just for Fun" CD/LP/Track Review Just for Fun
by Jack Bowers
Published: July 26, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!