The opening number in 7, for example, was an insistent, subtly volcanic one one, Abdissa "Mamba" Assefa's quick-cut percussive touches, the sampled basslines from Heikki Iso-Ahola, and steady guitar chords from the leader ripe for the dancing, partying crowd. Perhaps paradoxically, it was a music that was easy to follow in a complex way. And, as with everything else that was played and heard (including, no doubt, the few shows this reviewer missed), Tampere Jazz Happening was once again in the ears, hearts and minds of everyone on hand to help complete the circle and make it all come alive. And that they did.
I love jazz because it is the only existing music style which let you
I was first exposed to jazz by Gunther Hampel in Hamburg, around 1972.
I met Ornette Coleman, Butch Morris, Karl Berger, Michel Camilo, a.o.
The best show I ever attended was Salif Keita at the Blue Note in
The first jazz record I bought was the Tony Scott and Hozan Yamamoto
My advice to new listeners: when you listen to my music, please be a
part of it.