Antibalas: Talkatif

Antibalas, otherwise known as the Antibalas Orchestra, has surmounted each of these obstacles. The New York collective draws its members from around the world, and each musician brings something unique to the group. Talkativ represents a logical progression from the group's previous record, Liberation Afrobeat (Ninja Tune, 2001). It has the same rhythmic freedom, drawing from Cuban and other Latin American styles in addition to the West African concept of interlocking beats. The underpinnings remain deeply rooted in funk, and a strong jazz element creeps in through the instrumentation and voices of the melody instruments. James Brown, anyone?

But what distinguishes this record is its coherence. The rhythm section, such as it is, has a fine-tuned sense of balance. Repetition, which occurs everywhere on this record, exists to serve a greater goal: providing a skeletal framework on which to hang the melody and shake the booty. Each instrument in the rhythm section (which at times can be every instrument!) makes itself known through crisp, carefully placed notes. When the horns step in to assert fanfares or harmonized themes, they seem completely logical. Guitarists toss in angular lines that accrue an unstoppable momentum. And as instrumentalists soar into solo space, their travels never lose sight of the ground.

Notable musicians on Talkatif include trumpeter Jordan McLean and keyboard player Victor Axelrod, each of whom improvises memorably across groove space. The percussionists, who can be quite difficult to resolve, have a knack for filling the right spaces and leaving holes where they sound right. But in the end, this is a group thing. Whether playing horns, drums, guitars, keyboards, or voice, every player is part of a greater whole. And that's the magic of Talkativ.

Check out Antibalas on its February/March tour to experience its reinvented Afro-beat live. Visit Antibalas and Ninja Tune for more information.

Comments