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Talent, Tenacity, Tequila & a Tale of Two Texas Teenagers

Alan Bryson By

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"Around 1980 we were still drawing 10,000 to 12,000 people at concerts. But we could see, with this change coming where everybody wanted dance music, that those days were numbered. We just decided that it was a good time, after a long run at it, to lie back and not totally commit ourselves to that kind of thing because we were like (fish) out of water."

"I was completely out of good material. What I had was so bad that we said: 'Why spend the money to go in and (record) this, knowing that nobody's going to like it, and we're not pleased with it?' If it isn't something you respond to yourself, you can't get that excited about doing it for others."

Louie Shelton shared this in our 2010 All About Jazz interview:

"It was so interesting when I was living in Nashville, some of the universities across America would contact me and say, "We're getting our spring entertainment together, and the students voted to have Seals & Crofts perform, and we have a budget of $30,000, $60,000 or whatever, are they available?" Unfortunately, I'd have to write them back and explain that, yes they're available, but they aren't performing together anymore."

Dash Crofts explained their decision to Tony Bentivegna in a year 2000 interview for the Seals & Crofts website:

"I know we could be making a lot of money and we could be touring and all that but, you know, when you get to a point where you think you said everything you want to say, then it's like beating a dead horse. It's fun, yeah, we loved everything, we love to write and perform and record, but sometimes silence is better than other things. We stopped when we were pretty much in the flow, you know, rather than having to struggle and go back, and do this and that. We just decided that this would be a good time to stop traveling. I mean, we traveled for 30 years! We traveled with The Champs. We did The Dawnbreakers, The Mushrooms. We did Seals and Crofts."

Given their lack of new material, their uncertainty about trends in the 80s, and their decision to pack it in, in retrospect it would have been great for them to have gone out with a bang. Had they not already released a live album in 1976, there would have been a possibility that would have left the door open to occasional tours. Imagine if they had filmed and recorded a couple of farewell concerts in top quality at a packed theater with great acoustics and lighting. Three distinct sets, the first set featuring rock songs with energy, which they certainly had. Followed by a break with an acoustic second set, initially as a trio with the rest of the band on acoustic instruments gradually joining them. Finally, a jazz-adjacent third set heavy on instrumentals—as an encore, fiddle music. That would have been a worthy sendoff for these two remarkable performers and songwriters.

As it is, 2019 marks the 50 year anniversary of their first album, and you're invited to rediscover and celebrate their music.

Seals & Crofts Playlists

  • YouTube Seals & Crofts Jazz-Adjacent Playlist
  • YouTubeSeals & Crofts Beyond the Hits, 15 Essential Songs
  • YouTubeSeals & Crofts After 1974—10 Definite Keepers

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