Meet Wendy Alane Wright: Wendy Alane Wright, pop/R&B singer, writer and producer has worked with many notables including Candy Dulfer, Johnny Lang, Tony Scott, Wayne Brady, Jeff Trachta, Philip Michael Thomas, Billie Myers, Linda De Mol, Big Logic, Deezer Dee and blues legend Solomon Burke.
Wendy had several pop and club hits, including the 1990 single Feel The Rhythm, which enjoyed rotation on VH1, BET and MTV and reached #20 in the Netherlands top 40 and Unforgiven (1992), which reached #30 in the Dutch Disco Dance Charts. Wright also co-wrote, co-produced and performed featured vocals on the Tatjana Simic pop hit Feel Good," which reached #25 in Netherlands Top 40, went platinum in Scandinavia and appeared on numerous compilation CDs worldwide.
After extensive live performances in the US during the years 2000-2006 with bands including the jazz group Asha, swing band Art Deco and His Society Orchestra and her own R&B blues band Billy's Night Out, Wendy's first solo album, As I Am, was released January, 2007. The tracks are pop, jazz and ballads. As I Am is available at her website http://www.wendywright.biz, http://www.musicforte.com and http://www.myspace.com/wendyalanewright.
Teachers and/or influences? My greatest influences were my parents. My father taught me to love music and shared with me music from the greatspeople like Stevie Wonder, Al Green, Marvin Gaye, and Gladys Knight. My mother also loved music and played it most of the day, specifically people like Neil Diamond and Fleetwood Mac. In fact, one of my greatest memories from childhood was laying around on the living room floor in the dark with my family listening to Neil Diamond. Being brought up by a white mother and a black father, I was exposed to white and black/soul music; therefore my own music often has elements of both. My personal musical influences, as I started to perfect my craft of singing, were Anita Baker, Michael McDonald, John Waite, Barry White, Mariah Carey, Jean Carne, Whitney Houston, Teena Marie, and more.
I knew I wanted to be a musician when... I knew I wanted to be a musician when I was a child and sat in my room all alone with my record player in a boxthat's how they used to make them. I would put on Barry White's You're The First, Youre The Last, Youre My Everything and sing and cry my eyes out. I fell in love with music from that song. And all I ever wanted to do was sing since then.
Your sound and approach to music: My approach to music is simple. I like great harmonies, pretty music, live instrumentation, especially piano and saxophone. I either write lyrics and then work them into music, or listen to a track and a melody and lyrics just come to me. I love being in the studio, improvising on a track, listening back and deciding what I want to keep and finding those magical moments. Those magical moments I am talking about are the ones you hear on other peoples records that are so incredible to you that you rewind them and play those moments over and over again. It may be a catch in the throat or the way the line lands on you and touches you emotionally. For me I love those moments in music and the process of uncovering them when I work.
Your teaching approach: I teach vocals at times and I find the greatest impediment to people is their fear of others and the opinions of others. I believe strongly that you should work to be all you can be. Don't worry about other peoples journey, or sound, or style. Just be yourself. And a lot of making music is just trusting what comes from your heart and soul and going with it. I help my new students get over the fear of others, and try to focus them on just expressing whatever they feel. So I focus on performance instruction, rather than vocal. I think a singer either has a voice or doesn't, and if they have the burning desire within them to train it and grow it they will. The desire is something you can't teach.
Your dream band: My dream band would be music that is R&B-based, with great mid-tempo grooves, live piano, sax, bass and drums. Heavily instrumental along with really moving lyrics, pretty chords and changes and a group of people who just like to have fun. I would love to work with Eric Marienthal, Michael McDonald and Brian Culbertson.
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr. Garner, I love playing the piano... is there any advice you could give me?'' He hesitated, then looked back at me and said, Keep playin' and don't stop!'' That was great advice because at 60 years old, I'm still playin' and haven't stopped!