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Meet Perry Conticchio: Saxophonist and composer Perry Conticchio has built his 35-year career using the singular jazz sounds of the 1960s as a point of departure.
His formal studies were at Miami University of Ohio and Berklee College of Music in Boston, where he studied with Joe Viola, John LaPorta and Charley Mariano. Moving to the Washington, DC area in 1976, Perry became an established figure in the "new" music scene.
During this time he had the opportunity to perform with and learn from Don Cherry, Anthony Braxton, Sam Rivers and many others. From 1994-1998 Perry was co-leader of the successful jazz quartet Clarity. Since then he has been leading his own quartet and contributing on projects with many area bands, including the Thad Wilson Jazz Orchestra. Perry has performed at many Washington area cultural events and nightclubs including The DC Jazz Festival, The Smithsonian Folk-Life Festival, Johns-Hopkins Spring Fest., Blues Alley, One Step Down, Twin's Jazz, The 9:30 Club and too many others to mention. He keeps a very busy private teaching schedule.
Instrument(s): saxophones, flute, bass clarinet.
Teachers and/or influences? Teachers: John La Porta, Joe Viola, Charlie Mariano, Don Cherry. Influences: too many to mention but tops would be John Coltrane, Sam Rivers (whom I had a chance to have a couple of lessons from), Stan Getz, Miles, Michael Brecker, Dave Liebman, Cannonball, etc.
Your sound and approach to music: Group interaction and overall sound is everything. Listen, Listen, Listen. One instrument, two ears. You should be listening harder than you are playing. Tone/sound before technique.
Your teaching approach: Sound before technique. Find the right approach for each individual. Everyone learns a little differently.
Your favorite recording in your discography and why?Speak Your Truth, mostly for the writing. I'm prouder of the overall product and its originality than my individual playing. I hope I can afford a larger band at times next time around.
What do you think is the most important thing you are contributing musically? An original sound and attempting to always really play from the heart.
How you use the internet to help your career? Website and mailing lists are key.
CDs you are listening to now: Kenny Wheeler, What Now? (Cam Jazz); Paul Motian Band, Garden of Eden (ECM); Kenny Garrett, Beyond the Wall (Nonesuch); Pat Metheny & Brad Mehldau, Metheny/Mehldau (Nonesuch); Michael Brecker-all of it again!!
Desert Island picks: John Coltrane, A Love Supreme (Impulse!); Miles Davis, Nefertiti (Columbia); Pat Metheny Group, Still Life Talking (Geffen, reissued Nonesuch); Stan Getz My Foolish Heart (Label M).
How would you describe the state of jazz today? Artistically speaking it is resurgent in a lot of ways. Financially dismal.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.