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22

Article: Album Review

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Karl Ackermann


Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...

18

Article: Multiple Reviews

Inexhaustible Editions: The Little Label That Roars

Read "Inexhaustible Editions: The Little Label That Roars" reviewed by Mark Corroto


In the 1980s, American writer John Corbett traveled Europe searching for out-of-print LPs from small labels which he eventually produced reissues titled the Unheard Music Series first for Atavistic Records, then his own Corbett vs. Dempsey label. His mission was to preserve the music which formed the jazz and improvisation canon but was largely ignored, simply ...

5

Article: Album Review

Anthony Braxton: Quartet (New Haven) 2014

Read "Quartet (New Haven) 2014" reviewed by Mark Corroto


If, as an Anthony Braxton listener, you are confounded by his numeric compositional titles and and hieroglyphic scores, finding this music dedicated to rock, blues, funk and country music legends may give you some relief, albeit temporary. Quartet (New Haven) 2014 is a one-off meeting of the avant-garde's avant-gardist and today's heroes of both rock and ...

Article: Album Review

Stephanie Richards: Take the Neon Lights

Read "Take the Neon Lights" reviewed by Vincenzo Roggero


Sono due gli elementi principali che emergono all'ascolto di Take the Neon Lights : la straordinaria tecnica strumentale di Steph Richards, nella scia di innovatori come Nate Wooley e Peter Evans, ed una scrittura decisamente originale, anomala, anticonvenzionale. Al secondo album da leader, dopo l'eccellente debutto con l'elettronico Fullmoon, Richards scopre definitivamente le carte mettendo in ...

11

Article: Album Review

Steve Lehman Trio + Craig Taborn: The People I Love

Read "The People I Love" reviewed by Mark Corroto


It is easy think about the shock of the new that was bebop when listening to The People I Love by alto saxophonist Steve Lehman's trio. Not that Lehman plays bebop as it was in the 1940s. It took mammals millions of years of evolution to climb down out of trees and fashion tools, but it ...

Article: Album Review

Sarah Bernstein: Crazy Lights Shining

Read "Crazy Lights Shining" reviewed by Neri Pollastri


Nata a San Francisco ma residente e operante a New York, Sarah Bernstein è violinista, compositrice, improvvisatrice, ma anche poetessa, ed ha alle spalle numerose importanti collaborazioni, tra le quali spiccano quelle con Anthony Braxton. In questo singolare e suggestivo Crazy Lights Shining la troviamo a duettare con il percussionista Satoshi Takeishi, intenta a unire i ...

13

Article: Jazzmatazz

Jazz, Zen, and Hip-Hop: The 2019 Montreal Jazz Festival

Read "Jazz, Zen, and Hip-Hop: The 2019 Montreal Jazz Festival" reviewed by Matt Hooke


Exploring the grounds of the Montreal Jazz Festival is like going to all you can eat Las Vegas buffet. “Look over there at table four; there's Dixieland. Wait at table six, there's Latin jazz, supposedly the main table as a new head chef, let's go there." You can stuff yourself by going ...

9

Article: Album Review

Ilia Belorukov, Gabriel Ferrandini: Disquiet

Read "Disquiet" reviewed by Don Phipps


"Energetic" may not be a strong enough word to describe this fascinating collaboration between Russian saxophonist Ilia Belorukov and American drummer Gabriel Ferrandini. Like the near-infinite splatter-patterns of a Pollack painting, the two drip, drop, slam, stutter and explode across the musical canvas of their album Disquiet, with a sense of urgency that brings to mind ...

14

Article: History of Jazz

The Creative Musicians Improvisers Forum: New Haven's AACM

Read "The Creative Musicians Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero


The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...

40

Article: Radio & Podcasts

June Birthdays Featuring Reginald Workman, NEA Jazz Master

Read "June Birthdays Featuring Reginald Workman, NEA Jazz Master" reviewed by Marc Cohn


June jazz birthdays! Our featured honoree is bassist Reggie Workman, 82 years young, who got a fine birthday present: a 2020 National Endowment for the Arts Jazz Masters Award. So, we have three tracks from his own recordings, which may surprise you. One features Andrew Hill and Julian Priester. Other birthday honors include Marcus Belgrave (Horace ...


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